25 ideas
16985 | Possible worlds allowed the application of set-theoretic models to modal logic [Kripke] |
16982 | A man has two names if the historical chains are different - even if they are the same! [Kripke] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
16981 | With the necessity of self-identity plus Leibniz's Law, identity has to be an 'internal' relation [Kripke] |
4942 | The indiscernibility of identicals is as self-evident as the law of contradiction [Kripke] |
16984 | I don't think possible worlds reductively reveal the natures of modal operators etc. [Kripke] |
9385 | The very act of designating of an object with properties gives knowledge of a contingent truth [Kripke] |
4943 | Instead of talking about possible worlds, we can always say "It is possible that.." [Kripke] |
16983 | Probability with dice uses possible worlds, abstractions which fictionally simplify things [Kripke] |
8130 | Qualities of experience are just representational aspects of experience ('Representationalism') [Harman, by Burge] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |