Combining Texts

All the ideas for 'Rationality', 'Essays on Intellectual Powers 3: Memory' and 'Critique of Judgement I: Aesthetic'

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37 ideas

2. Reason / A. Nature of Reason / 1. On Reason
You can be rational with undetected or minor inconsistencies [Harman]
2. Reason / A. Nature of Reason / 6. Coherence
A coherent conceptual scheme contains best explanations of most of your beliefs [Harman]
9. Objects / E. Objects over Time / 1. Objects over Time
Continuity is needed for existence, otherwise we would say a thing existed after it ceased to exist [Reid]
9. Objects / E. Objects over Time / 13. No Identity over Time
We treat slowly changing things as identical for the sake of economy in language [Reid]
9. Objects / F. Identity among Objects / 1. Concept of Identity
Identity is familiar to common sense, but very hard to define [Reid]
Identity can only be affirmed of things which have a continued existence [Reid]
12. Knowledge Sources / E. Direct Knowledge / 4. Memory
Without memory we could have no concept of duration [Reid]
We all trust our distinct memories (but not our distinct imaginings) [Reid]
14. Science / C. Induction / 1. Induction
Enumerative induction is inference to the best explanation [Harman]
14. Science / C. Induction / 3. Limits of Induction
Induction is 'defeasible', since additional information can invalidate it [Harman]
14. Science / C. Induction / 4. Reason in Induction
All reasoning is inductive, and deduction only concerns implication [Harman]
15. Nature of Minds / A. Nature of Mind / 5. Unity of Mind
A person is a unity, and doesn't come in degrees [Reid]
16. Persons / A. Concept of a Person / 2. Persons as Responsible
Personal identity is the basis of all rights, obligations and responsibility [Reid]
16. Persons / A. Concept of a Person / 3. Persons as Reasoners
I can hardly care about rational consequence if it wasn't me conceiving the antecedent [Reid]
16. Persons / D. Continuity of the Self / 2. Mental Continuity / a. Memory is Self
The identity of a thief is only known by similarity, but memory gives certainty in our own case [Reid]
16. Persons / D. Continuity of the Self / 2. Mental Continuity / c. Inadequacy of mental continuity
Memory reveals my past identity - but so does testimony of other witnesses [Reid]
If consciousness is transferable 20 persons can be 1; forgetting implies 1 can be 20 [Reid]
Boy same as young man, young man same as old man, old man not boy, if forgotten! [Reid]
If a stolen horse is identified by similitude, its identity is not therefore merely similitude [Reid]
If consciousness is personal identity, it is continually changing [Reid]
16. Persons / D. Continuity of the Self / 7. Self and Thinking
Thoughts change continually, but the self doesn't [Reid]
18. Thought / A. Modes of Thought / 5. Rationality / a. Rationality
Ordinary rationality is conservative, starting from where your beliefs currently are [Harman]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]