30 ideas
| 18951 | For scientific purposes there is a precise concept of 'true-in-L', using set theory [Putnam] |
| 18953 | Modern notation frees us from Aristotle's restriction of only using two class-names in premises [Putnam] |
| 18949 | The universal syllogism is now expressed as the transitivity of subclasses [Putnam] |
| 18952 | '⊃' ('if...then') is used with the definition 'Px ⊃ Qx' is short for '¬(Px & ¬Qx)' [Putnam] |
| 18958 | In type theory, 'x ∈ y' is well defined only if x and y are of the appropriate type [Putnam] |
| 18954 | Before the late 19th century logic was trivialised by not dealing with relations [Putnam] |
| 18956 | Asserting first-order validity implicitly involves second-order reference to classes [Putnam] |
| 18962 | Unfashionably, I think logic has an empirical foundation [Putnam] |
| 18961 | We can identify functions with certain sets - or identify sets with certain functions [Putnam] |
| 18955 | Having a valid form doesn't ensure truth, as it may be meaningless [Putnam] |
| 18959 | Sets larger than the continuum should be studied in an 'if-then' spirit [Putnam] |
| 18957 | Nominalism only makes sense if it is materialist [Putnam] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 18950 | Physics is full of non-physical entities, such as space-vectors [Putnam] |
| 18960 | Most predictions are uninteresting, and are only sought in order to confirm a theory [Putnam] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |