11 ideas
| 19405 | Substances are in harmony, because they each express the one reality in themselves [Leibniz] |
| 14633 | How do we tell a table's being contingently plastic from its being essentially plastic? [Jackson] |
| 14635 | An x is essentially F if it is F in every possible world in which it appears [Jackson] |
| 14632 | Quine may have conflated de re and de dicto essentialism, but there is a real epistemological problem [Jackson] |
| 14631 | How can you show the necessity of an a posteriori necessity, if it might turn out to be false? [Jackson] |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |