57 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 19404 | Necessities rest on contradiction, and contingencies on sufficient reason [Leibniz] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 17774 | Definitions make our intuitions mathematically useful [Mayberry] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 17773 | Proof shows that it is true, but also why it must be true [Mayberry] |
| 17796 | There is a semi-categorical axiomatisation of set-theory [Mayberry] |
| 17795 | Set theory can't be axiomatic, because it is needed to express the very notion of axiomatisation [Mayberry] |
| 17800 | The misnamed Axiom of Infinity says the natural numbers are finite in size [Mayberry] |
| 17801 | The set hierarchy doesn't rely on the dubious notion of 'generating' them [Mayberry] |
| 17803 | Limitation of size is part of the very conception of a set [Mayberry] |
| 17786 | The mainstream of modern logic sees it as a branch of mathematics [Mayberry] |
| 17788 | First-order logic only has its main theorems because it is so weak [Mayberry] |
| 17791 | Only second-order logic can capture mathematical structure up to isomorphism [Mayberry] |
| 17787 | Big logic has one fixed domain, but standard logic has a domain for each interpretation [Mayberry] |
| 17790 | No Löwenheim-Skolem logic can axiomatise real analysis [Mayberry] |
| 17779 | 'Classificatory' axioms aim at revealing similarity in morphology of structures [Mayberry] |
| 17778 | Axiomatiation relies on isomorphic structures being essentially the same [Mayberry] |
| 17780 | 'Eliminatory' axioms get rid of traditional ideal and abstract objects [Mayberry] |
| 17789 | No logic which can axiomatise arithmetic can be compact or complete [Mayberry] |
| 17784 | Real numbers can be eliminated, by axiom systems for complete ordered fields [Mayberry] |
| 17782 | Greek quantities were concrete, and ratio and proportion were their science [Mayberry] |
| 17781 | Real numbers were invented, as objects, to simplify and generalise 'quantity' [Mayberry] |
| 17799 | Cantor's infinite is an absolute, of all the sets or all the ordinal numbers [Mayberry] |
| 17797 | Cantor extended the finite (rather than 'taming the infinite') [Mayberry] |
| 17775 | If proof and definition are central, then mathematics needs and possesses foundations [Mayberry] |
| 17776 | The ultimate principles and concepts of mathematics are presumed, or grasped directly [Mayberry] |
| 17777 | Foundations need concepts, definition rules, premises, and proof rules [Mayberry] |
| 17804 | Axiom theories can't give foundations for mathematics - that's using axioms to explain axioms [Mayberry] |
| 17792 | 1st-order PA is only interesting because of results which use 2nd-order PA [Mayberry] |
| 17793 | It is only 2nd-order isomorphism which suggested first-order PA completeness [Mayberry] |
| 17794 | Set theory is not just first-order ZF, because that is inadequate for mathematics [Mayberry] |
| 17802 | We don't translate mathematics into set theory, because it comes embodied in that way [Mayberry] |
| 17805 | Set theory is not just another axiomatised part of mathematics [Mayberry] |
| 17785 | Real numbers as abstracted objects are now treated as complete ordered fields [Mayberry] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 19403 | Each of the infinite possible worlds has its own laws, and the individuals contain those laws [Leibniz] |