Combining Texts

All the ideas for 'Exigency to Exist in Essences', 'The Origin of the Work of Art' and 'The Intentional Fallacy'

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10 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / b. Philosophy as transcendent
15585 Later Heidegger sees philosophy as more like poetry than like science [Heidegger, by Polt]
7. Existence / A. Nature of Existence / 5. Reason for Existence
19400 Possibles demand existence, so as many of them as possible must actually exist [Leibniz]
19401 God's sufficient reason for choosing reality is in the fitness or perfection of possibilities [Leibniz]
10. Modality / E. Possible worlds / 1. Possible Worlds / a. Possible worlds
19402 The actual universe is the richest composite of what is possible [Leibniz]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20400 Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
7266 The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
7268 The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
7267 Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
7269 The intentional fallacy is a romantic one [Wimsatt/Beardsley]
7271 Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]