28 ideas
| 10653 | Maybe set theory need not be well-founded [Varzi] |
| 10648 | Mereology need not be nominalist, though it is often taken to be so [Varzi] |
| 10655 | Are there mereological atoms, and are all objects made of them? [Varzi] |
| 10659 | There is something of which everything is part, but no null-thing which is part of everything [Varzi] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 10661 | 'Composition is identity' says multitudes are the reality, loosely composing single things [Varzi] |
| 10647 | Parts may or may not be attached, demarcated, arbitrary, material, extended, spatial or temporal [Varzi] |
| 10651 | If 'part' is reflexive, then identity is a limit case of parthood [Varzi] |
| 10649 | 'Part' stands for a reflexive, antisymmetric and transitive relation [Varzi] |
| 10654 | The parthood relation will help to define at least seven basic predicates [Varzi] |
| 10658 | Sameness of parts won't guarantee identity if their arrangement matters [Varzi] |
| 10652 | Conceivability may indicate possibility, but literary fantasy does not [Varzi] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 12709 | Motion is not absolute, but consists in relation [Leibniz] |