24 ideas
15544 | If what is actual might have been impossible, we need S4 modal logic [Armstrong, by Lewis] |
7024 | Properties are universals, which are always instantiated [Armstrong, by Heil] |
9478 | Even if all properties are categorical, they may be denoted by dispositional predicates [Armstrong, by Bird] |
10729 | Universals explain resemblance and causal power [Armstrong, by Oliver] |
4031 | It doesn't follow that because there is a predicate there must therefore exist a property [Armstrong] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
10024 | The type-token distinction is the universal-particular distinction [Armstrong, by Hodes] |
10728 | A thing's self-identity can't be a universal, since we can know it a priori [Armstrong, by Oliver] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20343 | A love of nature must precede a love of art [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
12709 | Motion is not absolute, but consists in relation [Leibniz] |