18 ideas
| 10143 | 'Creative definitions' do not presuppose the existence of the objects defined [Fine,K] |
| 9143 | Implicit definitions must be satisfiable, creative definitions introduce things, contextual definitions build on things [Fine,K, by Cook/Ebert] |
| 10145 | Abstracts cannot be identified with sets [Fine,K] |
| 10136 | Points in Euclidean space are abstract objects, but not introduced by abstraction [Fine,K] |
| 10144 | Postulationism says avoid abstract objects by giving procedures that produce truth [Fine,K] |
| 9144 | Fine's 'procedural postulationism' uses creative definitions, but avoids abstract ontology [Fine,K, by Cook/Ebert] |
| 10141 | Many different kinds of mathematical objects can be regarded as forms of abstraction [Fine,K] |
| 10135 | We can abstract from concepts (e.g. to number) and from objects (e.g. to direction) [Fine,K] |
| 9142 | Fine considers abstraction as reconceptualization, to produce new senses by analysing given senses [Fine,K, by Cook/Ebert] |
| 10137 | Abstractionism can be regarded as an alternative to set theory [Fine,K] |
| 10138 | An object is the abstract of a concept with respect to a relation on concepts [Fine,K] |
| 5049 | Intelligent pleasure is the perception of beauty, order and perfection [Leibniz] |
| 23896 | We see our character as a restricting limit, but also as an unshakable support [Weil] |
| 23894 | The concept of character is at the centre of morality [Weil] |
| 23893 | We don't see character in a single moment, but only over a period of time [Weil] |
| 23895 | We modify our character by placing ourselves in situations, or by attending to what seems trivial [Weil] |
| 5048 | Perfection is simply quantity of reality [Leibniz] |
| 5050 | Evil serves a greater good, and pain is necessary for higher pleasure [Leibniz] |