25 ideas
18806 | Frege thought traditional categories had psychological and linguistic impurities [Frege, by Rumfitt] |
8490 | First-level functions have objects as arguments; second-level functions take functions as arguments [Frege] |
8492 | Relations are functions with two arguments [Frege] |
8487 | Arithmetic is a development of logic, so arithmetical symbolism must expand into logical symbolism [Frege] |
18899 | Frege takes the existence of horses to be part of their concept [Frege, by Sommers] |
4028 | Frege allows either too few properties (as extensions) or too many (as predicates) [Mellor/Oliver on Frege] |
8489 | The concept 'object' is too simple for analysis; unlike a function, it is an expression with no empty place [Frege] |
20429 | Most of us are too close to our own motives to understand them [Fry] |
9947 | Concepts are the ontological counterparts of predicative expressions [Frege, by George/Velleman] |
10319 | An assertion about the concept 'horse' must indirectly speak of an object [Frege, by Hale] |
8488 | A concept is a function whose value is always a truth-value [Frege] |
9948 | Unlike objects, concepts are inherently incomplete [Frege, by George/Velleman] |
4972 | I may regard a thought about Phosphorus as true, and the same thought about Hesperus as false [Frege] |
20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
20431 | Art needs a mixture of order and variety in its sensations [Fry] |
20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
7270 | Historical interpretation aims to recapture the author's view of the work [Croce] |
20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
8491 | The Ontological Argument fallaciously treats existence as a first-level concept [Frege] |