Combining Texts

All the ideas for 'Function and Concept', 'Aesthetic as Science of Expression' and 'An Essay in Aesthetics'

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25 ideas

4. Formal Logic / A. Syllogistic Logic / 2. Syllogistic Logic
Frege thought traditional categories had psychological and linguistic impurities [Frege, by Rumfitt]
5. Theory of Logic / E. Structures of Logic / 5. Functions in Logic
First-level functions have objects as arguments; second-level functions take functions as arguments [Frege]
5. Theory of Logic / E. Structures of Logic / 6. Relations in Logic
Relations are functions with two arguments [Frege]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / a. Early logicism
Arithmetic is a development of logic, so arithmetical symbolism must expand into logical symbolism [Frege]
7. Existence / A. Nature of Existence / 6. Criterion for Existence
Frege takes the existence of horses to be part of their concept [Frege, by Sommers]
8. Modes of Existence / B. Properties / 10. Properties as Predicates
Frege allows either too few properties (as extensions) or too many (as predicates) [Mellor/Oliver on Frege]
9. Objects / A. Existence of Objects / 3. Objects in Thought
The concept 'object' is too simple for analysis; unlike a function, it is an expression with no empty place [Frege]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
18. Thought / D. Concepts / 3. Ontology of Concepts / c. Fregean concepts
Concepts are the ontological counterparts of predicative expressions [Frege, by George/Velleman]
An assertion about the concept 'horse' must indirectly speak of an object [Frege, by Hale]
A concept is a function whose value is always a truth-value [Frege]
18. Thought / D. Concepts / 4. Structure of Concepts / a. Conceptual structure
Unlike objects, concepts are inherently incomplete [Frege, by George/Velleman]
19. Language / B. Reference / 5. Speaker's Reference
I may regard a thought about Phosphorus as true, and the same thought about Hesperus as false [Frege]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Historical interpretation aims to recapture the author's view of the work [Croce]
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
28. God / B. Proving God / 2. Proofs of Reason / b. Ontological Proof critique
The Ontological Argument fallaciously treats existence as a first-level concept [Frege]