31 ideas
| 18806 | Frege thought traditional categories had psychological and linguistic impurities [Frege, by Rumfitt] |
| 8490 | First-level functions have objects as arguments; second-level functions take functions as arguments [Frege] |
| 8492 | Relations are functions with two arguments [Frege] |
| 8487 | Arithmetic is a development of logic, so arithmetical symbolism must expand into logical symbolism [Frege] |
| 18899 | Frege takes the existence of horses to be part of their concept [Frege, by Sommers] |
| 4028 | Frege allows either too few properties (as extensions) or too many (as predicates) [Mellor/Oliver on Frege] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 8489 | The concept 'object' is too simple for analysis; unlike a function, it is an expression with no empty place [Frege] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 9947 | Concepts are the ontological counterparts of predicative expressions [Frege, by George/Velleman] |
| 10319 | An assertion about the concept 'horse' must indirectly speak of an object [Frege, by Hale] |
| 8488 | A concept is a function whose value is always a truth-value [Frege] |
| 9948 | Unlike objects, concepts are inherently incomplete [Frege, by George/Velleman] |
| 4972 | I may regard a thought about Phosphorus as true, and the same thought about Hesperus as false [Frege] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 21947 | Power is localised, so we either have totalitarian centralisation, or local politics [Foucault, by Gutting] |
| 21946 | Prisons gradually became our models for schools, hospitals and factories [Foucault, by Gutting] |
| 8491 | The Ontological Argument fallaciously treats existence as a first-level concept [Frege] |