Combining Texts

All the ideas for 'On Concept and Object', 'Nature and Meaning of Numbers' and 'Art'

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50 ideas

2. Reason / D. Definition / 9. Recursive Definition
Dedekind proved definition by recursion, and thus proved the basic laws of arithmetic [Dedekind, by Potter]
4. Formal Logic / F. Set Theory ST / 3. Types of Set / d. Infinite Sets
An infinite set maps into its own proper subset [Dedekind, by Reck/Price]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / f. Axiom of Infinity V
We have the idea of self, and an idea of that idea, and so on, so infinite ideas are available [Dedekind, by Potter]
4. Formal Logic / G. Formal Mereology / 1. Mereology
Dedekind originally thought more in terms of mereology than of sets [Dedekind, by Potter]
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
A thought can be split in many ways, so that different parts appear as subject or predicate [Frege]
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / a. Numbers
Numbers are free creations of the human mind, to understand differences [Dedekind]
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / c. Priority of numbers
Dedekind defined the integers, rationals and reals in terms of just the natural numbers [Dedekind, by George/Velleman]
Ordinals can define cardinals, as the smallest ordinal that maps the set [Dedekind, by Heck]
Order, not quantity, is central to defining numbers [Dedekind, by Monk]
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / e. Ordinal numbers
Dedekind's ordinals are just members of any progression whatever [Dedekind, by Russell]
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / i. Reals from cuts
Dedekind's axiom that his Cut must be filled has the advantages of theft over honest toil [Dedekind, by Russell]
Dedekind says each cut matches a real; logicists say the cuts are the reals [Dedekind, by Bostock]
6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / c. Counting procedure
In counting we see the human ability to relate, correspond and represent [Dedekind]
6. Mathematics / A. Nature of Mathematics / 5. The Infinite / b. Mark of the infinite
A system S is said to be infinite when it is similar to a proper part of itself [Dedekind]
6. Mathematics / B. Foundations for Mathematics / 4. Axioms for Number / a. Axioms for numbers
Dedekind gives a base number which isn't a successor, then adds successors and induction [Dedekind, by Hart,WD]
6. Mathematics / B. Foundations for Mathematics / 4. Axioms for Number / d. Peano arithmetic
Zero is a member, and all successors; numbers are the intersection of sets satisfying this [Dedekind, by Bostock]
6. Mathematics / B. Foundations for Mathematics / 4. Axioms for Number / e. Peano arithmetic 2nd-order
Categoricity implies that Dedekind has characterised the numbers, because it has one domain [Rumfitt on Dedekind]
6. Mathematics / B. Foundations for Mathematics / 4. Axioms for Number / f. Mathematical induction
Induction is proved in Dedekind, an axiom in Peano; the latter seems simpler and clearer [Dedekind, by Russell]
6. Mathematics / B. Foundations for Mathematics / 5. Definitions of Number / c. Fregean numbers
There is the concept, the object falling under it, and the extension (a set, which is also an object) [Frege, by George/Velleman]
6. Mathematics / B. Foundations for Mathematics / 7. Mathematical Structuralism / a. Structuralism
Dedekind originated the structuralist conception of mathematics [Dedekind, by MacBride]
6. Mathematics / B. Foundations for Mathematics / 7. Mathematical Structuralism / b. Varieties of structuralism
Dedekindian abstraction talks of 'positions', where Cantorian abstraction talks of similar objects [Dedekind, by Fine,K]
7. Existence / A. Nature of Existence / 6. Criterion for Existence
Frege mistakenly takes existence to be a property of concepts, instead of being about things [Frege, by Yablo]
8. Modes of Existence / B. Properties / 10. Properties as Predicates
It is unclear whether Frege included qualities among his abstract objects [Frege, by Hale]
9. Objects / A. Existence of Objects / 3. Objects in Thought
A thing is completely determined by all that can be thought concerning it [Dedekind]
Frege's 'objects' are both the referents of proper names, and what predicates are true or false of [Frege, by Dummett]
18. Thought / D. Concepts / 3. Ontology of Concepts / c. Fregean concepts
Frege equated the concepts under which an object falls with its properties [Frege, by Dummett]
18. Thought / D. Concepts / 5. Concepts and Language / b. Concepts are linguistic
As I understand it, a concept is the meaning of a grammatical predicate [Frege]
18. Thought / E. Abstraction / 3. Abstracta by Ignoring
Dedekind said numbers were abstracted from systems of objects, leaving only their position [Dedekind, by Dummett]
We derive the natural numbers, by neglecting everything of a system except distinctness and order [Dedekind]
18. Thought / E. Abstraction / 8. Abstractionism Critique
Dedekind has a conception of abstraction which is not psychologistic [Dedekind, by Tait]
19. Language / A. Nature of Meaning / 2. Meaning as Mental
Frege felt that meanings must be public, so they are abstractions rather than mental entities [Frege, by Putnam]
19. Language / D. Propositions / 2. Abstract Propositions / a. Propositions as sense
For all the multiplicity of languages, mankind has a common stock of thoughts [Frege]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]