Combining Texts

All the ideas for 'The Big Book of Concepts', 'Introduction to the Philosophy of History' and 'The Philosophy of Art (2nd ed)'

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56 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / d. Nineteenth century philosophy
Hegel inserted society and history between the God-world, man-nature, man-being binary pairs [Hegel, by Safranski]
1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
12. Knowledge Sources / B. Perception / 5. Interpretation
Research shows perceptual discrimination is sharper at category boundaries [Murphy]
14. Science / C. Induction / 1. Induction
Induction is said to just compare properties of categories, but the type of property also matters [Murphy]
18. Thought / D. Concepts / 1. Concepts / a. Nature of concepts
The main theories of concepts are exemplar, prototype and knowledge [Murphy]
18. Thought / D. Concepts / 4. Structure of Concepts / c. Classical concepts
The theoretical and practical definitions for the classical view are very hard to find [Murphy]
The classical definitional approach cannot distinguish typical and atypical category members [Murphy]
Classical concepts follow classical logic, but concepts in real life don't work that way [Murphy]
Classical concepts are transitive hierarchies, but actual categories may be intransitive [Murphy]
The classical core is meant to be the real concept, but actually seems unimportant [Murphy]
18. Thought / D. Concepts / 4. Structure of Concepts / d. Concepts as prototypes
There is no 'ideal' bird or dog, and prototypes give no information about variability [Murphy]
Prototypes are unified representations of the entire category (rather than of members) [Murphy]
The prototype theory uses observed features, but can't include their construction [Murphy]
The prototype theory handles hierarchical categories and combinations of concepts well [Murphy]
Prototypes theory of concepts is best, as a full description with weighted typical features [Murphy]
Learning concepts is forming prototypes with a knowledge structure [Murphy]
18. Thought / D. Concepts / 4. Structure of Concepts / e. Concepts from exemplars
The most popular theories of concepts are based on prototypes or exemplars [Murphy]
The exemplar view of concepts says 'dogs' is the set of dogs I remember [Murphy]
Exemplar theory struggles with hierarchical classification and with induction [Murphy]
Children using knowing and essentialist categories doesn't fit the exemplar view [Murphy]
Conceptual combination must be compositional, and can't be built up from exemplars [Murphy]
The concept of birds from exemplars must also be used in inductions about birds [Murphy]
18. Thought / D. Concepts / 4. Structure of Concepts / f. Theory theory of concepts
We do not learn concepts in isolation, but as an integrated part of broader knowledge [Murphy]
Concepts with familiar contents are easier to learn [Murphy]
Some knowledge is involved in instant use of categories, other knowledge in explanations [Murphy]
People categorise things consistent with their knowledge, even rejecting some good evidence [Murphy]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
22. Metaethics / C. The Good / 2. Happiness / a. Nature of happiness
World history has no room for happiness [Hegel]
24. Political Theory / A. Basis of a State / 1. A People / b. The natural life
The state of nature is one of untamed brutality [Hegel]
24. Political Theory / A. Basis of a State / 1. A People / c. A unified people
The soul of the people is an organisation of its members which produces an essential unity [Hegel]
24. Political Theory / D. Ideologies / 6. Liberalism / g. Liberalism critique
The human race matters, and individuals have little importance [Hegel]
24. Political Theory / D. Ideologies / 14. Nationalism
In a good state the goal of the citizens and of the whole state are united [Hegel]
25. Social Practice / A. Freedoms / 5. Freedom of lifestyle
The goal of the world is Spirit's consciousness and enactment of freedom [Hegel]
25. Social Practice / E. Policies / 5. Education / d. Study of history
We should all agree that there is reason in history [Hegel]