Combining Texts

All the ideas for 'Thinking and Experience', 'Noneism or Allism?' and 'Croce and Collingwood'

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18 ideas

5. Theory of Logic / G. Quantification / 4. Substitutional Quantification
We can quantify over fictions by quantifying for real over their names [Lewis]
5. Theory of Logic / G. Quantification / 7. Unorthodox Quantification
We could quantify over impossible objects - as bundles of properties [Lewis]
7. Existence / A. Nature of Existence / 1. Nature of Existence
'Allists' embrace the existence of all controversial entities; 'noneists' reject all but the obvious ones [Lewis]
7. Existence / A. Nature of Existence / 2. Types of Existence
We can't accept a use of 'existence' that says only some of the things there are actually exist [Lewis]
8. Modes of Existence / C. Powers and Dispositions / 2. Powers as Basic
Some dispositional properties (such as mental ones) may have no categorical base [Price,HH]
15. Nature of Minds / C. Capacities of Minds / 3. Abstraction by mind
Before we can abstract from an instance of violet, we must first recognise it [Price,HH]
There may be degrees of abstraction which allow recognition by signs, without full concepts [Price,HH]
If judgement of a characteristic is possible, that part of abstraction must be complete [Price,HH]
There is pre-verbal sign-based abstraction, as when ice actually looks cold [Price,HH]
Intelligent behaviour, even in animals, has something abstract about it [Price,HH]
18. Thought / A. Modes of Thought / 1. Thought
Recognition must precede the acquisition of basic concepts, so it is the fundamental intellectual process [Price,HH]
18. Thought / E. Abstraction / 1. Abstract Thought
Abstractions can be interpreted dispositionally, as the ability to recognise or imagine an item [Price,HH]
If ideas have to be images, then abstract ideas become a paradoxical problem [Price,HH]
18. Thought / E. Abstraction / 2. Abstracta by Selection
The basic concepts of conceptual cognition are acquired by direct abstraction from instances [Price,HH]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]