31 ideas
| 10017 | Truth in a model is more tractable than the general notion of truth [Hodes] |
| 10018 | Truth is quite different in interpreted set theory and in the skeleton of its language [Hodes] |
| 10015 | Higher-order logic may be unintelligible, but it isn't set theory [Hodes] |
| 10011 | Identity is a level one relation with a second-order definition [Hodes] |
| 10016 | When an 'interpretation' creates a model based on truth, this doesn't include Fregean 'sense' [Hodes] |
| 10027 | Mathematics is higher-order modal logic [Hodes] |
| 10026 | Arithmetic must allow for the possibility of only a finite total of objects [Hodes] |
| 10021 | It is claimed that numbers are objects which essentially represent cardinality quantifiers [Hodes] |
| 10022 | Numerical terms can't really stand for quantifiers, because that would make them first-level [Hodes] |
| 10023 | Talk of mirror images is 'encoded fictions' about real facts [Hodes] |
| 8983 | If 'red' is vague, then membership of the set of red things is vague, so there is no set of red things [Sainsbury] |
| 8986 | We should abandon classifying by pigeon-holes, and classify around paradigms [Sainsbury] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 8982 | Vague concepts are concepts without boundaries [Sainsbury] |
| 8984 | If concepts are vague, people avoid boundaries, can't spot them, and don't want them [Sainsbury] |
| 8985 | Boundaryless concepts tend to come in pairs, such as child/adult, hot/cold [Sainsbury] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |