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All the ideas for 'Remarks on the definition and nature of mathematics', 'Real Essentialism' and 'Art'

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43 ideas

2. Reason / D. Definition / 5. Genus and Differentia
'Animal' is a genus and 'rational' is a specific difference [Oderberg]
Definition distinguishes one kind from another, and individuation picks out members of the kind [Oderberg]
5. Theory of Logic / E. Structures of Logic / 8. Theories in Logic
To study formal systems, look at the whole thing, and not just how it is constructed in steps [Curry]
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / a. Numbers
The Aristotelian view is that numbers depend on (and are abstracted from) other things [Oderberg]
6. Mathematics / C. Sources of Mathematics / 4. Mathematical Empiricism / c. Against mathematical empiricism
It is untenable that mathematics is general physical truths, because it needs infinity [Curry]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / d. Logicism critique
Saying mathematics is logic is merely replacing one undefined term by another [Curry]
7. Existence / A. Nature of Existence / 3. Being / a. Nature of Being
Being is substantial/accidental, complete/incomplete, necessary/contingent, possible, relative, intrinsic.. [Oderberg]
8. Modes of Existence / B. Properties / 13. Tropes / b. Critique of tropes
If tropes are in space and time, in what sense are they abstract? [Oderberg]
8. Modes of Existence / C. Powers and Dispositions / 4. Powers as Essence
We need to distinguish the essential from the non-essential powers [Oderberg]
9. Objects / B. Unity of Objects / 2. Substance / e. Substance critique
Empiricists gave up 'substance', as unknowable substratum, or reducible to a bundle [Oderberg]
9. Objects / D. Essence of Objects / 1. Essences of Objects
Essences are real, about being, knowable, definable and classifiable [Oderberg, by PG]
9. Objects / D. Essence of Objects / 3. Individual Essences
Nominalism is consistent with individual but not with universal essences [Oderberg]
9. Objects / D. Essence of Objects / 6. Essence as Unifier
Essentialism is the main account of the unity of objects [Oderberg]
9. Objects / D. Essence of Objects / 8. Essence as Explanatory
Essence is not explanatory but constitutive [Oderberg]
9. Objects / D. Essence of Objects / 9. Essence and Properties
Properties are not part of an essence, but they flow from it [Oderberg]
9. Objects / D. Essence of Objects / 15. Against Essentialism
Could we replace essence with collections of powers? [Oderberg]
9. Objects / F. Identity among Objects / 8. Leibniz's Law
Leibniz's Law is an essentialist truth [Oderberg]
10. Modality / B. Possibility / 4. Potentiality
Bodies have act and potency, the latter explaining new kinds of existence [Oderberg]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
Realism about possible worlds is circular, since it needs a criterion of 'possible' [Oderberg]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
Necessity of identity seems trivial, because it leaves out the real essence [Oderberg]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
Rigid designation has at least three essentialist presuppositions [Oderberg]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
26. Natural Theory / A. Speculations on Nature / 3. Natural Function
Essence is the source of a thing's characteristic behaviour [Oderberg]
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / e. The One
What makes Parmenidean reality a One rather than a Many? [Oderberg]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / a. Scientific essentialism
The real essentialist is not merely a scientist [Oderberg]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / e. Anti scientific essentialism
The reductionism found in scientific essentialism is mistaken [Oderberg]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]