11 ideas
| 7332 | There is a huge range of sentences of which we do not know the logical form [Davidson] |
| 21846 | Bergson was a rallying point, because he emphasised becomings and multiplicities [Bergson, by Deleuze] |
| 21854 | Bergson showed that memory is not after the event, but coexists with it [Bergson, by Deleuze] |
| 7772 | Compositionality explains how long sentences work, and truth conditions are the main compositional feature [Davidson, by Lycan] |
| 7327 | Davidson thinks Frege lacks an account of how words create sentence-meaning [Davidson, by Miller,A] |
| 7769 | You can state truth-conditions for "I am sick now" by relativising it to a speaker at a time [Davidson, by Lycan] |
| 6179 | Should we assume translation to define truth, or the other way around? [Blackburn on Davidson] |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |