Combining Texts

All the ideas for 'Meaning and the Moral Sciences', 'Art' and 'Intro to Non-Classical Logic (1st ed)'

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67 ideas

1. Philosophy / G. Scientific Philosophy / 3. Scientism
A culture needs to admit that knowledge is more extensive than just 'science' [Putnam]
'True' and 'refers' cannot be made scientically precise, but are fundamental to science [Putnam]
3. Truth / A. Truth Problems / 1. Truth
'The rug is green' might be warrantedly assertible even though the rug is not green [Putnam]
3. Truth / C. Correspondence Truth / 1. Correspondence Truth
We need the correspondence theory of truth to understand language and science [Putnam]
3. Truth / C. Correspondence Truth / 3. Correspondence Truth critique
Correspondence between concepts and unconceptualised reality is impossible [Putnam]
3. Truth / F. Semantic Truth / 2. Semantic Truth
In Tarski's definition, you understand 'true' if you accept the notions of the object language [Putnam]
Tarski has given a correct account of the formal logic of 'true', but there is more to the concept [Putnam]
Only Tarski has found a way to define 'true' [Putnam]
4. Formal Logic / E. Nonclassical Logics / 6. Free Logic
Free logic is one of the few first-order non-classical logics [Priest,G]
4. Formal Logic / F. Set Theory ST / 2. Mechanics of Set Theory / a. Symbols of ST
X1 x X2 x X3... x Xn indicates the 'cartesian product' of those sets [Priest,G]
<a,b&62; is a set whose members occur in the order shown [Priest,G]
a ∈ X says a is an object in set X; a ∉ X says a is not in X [Priest,G]
{x; A(x)} is a set of objects satisfying the condition A(x) [Priest,G]
{a1, a2, ...an} indicates that a set comprising just those objects [Priest,G]
Φ indicates the empty set, which has no members [Priest,G]
{a} is the 'singleton' set of a (not the object a itself) [Priest,G]
X⊂Y means set X is a 'proper subset' of set Y [Priest,G]
X⊆Y means set X is a 'subset' of set Y [Priest,G]
X = Y means the set X equals the set Y [Priest,G]
X ∩ Y indicates the 'intersection' of sets X and Y, the objects which are in both sets [Priest,G]
X∪Y indicates the 'union' of all the things in sets X and Y [Priest,G]
Y - X is the 'relative complement' of X with respect to Y; the things in Y that are not in X [Priest,G]
4. Formal Logic / F. Set Theory ST / 2. Mechanics of Set Theory / b. Terminology of ST
The 'relative complement' is things in the second set not in the first [Priest,G]
The 'intersection' of two sets is a set of the things that are in both sets [Priest,G]
The 'union' of two sets is a set containing all the things in either of the sets [Priest,G]
The 'induction clause' says complex formulas retain the properties of their basic formulas [Priest,G]
A 'singleton' is a set with only one member [Priest,G]
A 'member' of a set is one of the objects in the set [Priest,G]
An 'ordered pair' (or ordered n-tuple) is a set with its members in a particular order [Priest,G]
A 'cartesian product' of sets is the set of all the n-tuples with one member in each of the sets [Priest,G]
A 'set' is a collection of objects [Priest,G]
The 'empty set' or 'null set' has no members [Priest,G]
A set is a 'subset' of another set if all of its members are in that set [Priest,G]
A 'proper subset' is smaller than the containing set [Priest,G]
4. Formal Logic / F. Set Theory ST / 2. Mechanics of Set Theory / c. Basic theorems of ST
The empty set Φ is a subset of every set (including itself) [Priest,G]
7. Existence / D. Theories of Reality / 2. Realism
Realism is a theory, which explains the convergence of science and the success of language [Putnam]
12. Knowledge Sources / A. A Priori Knowledge / 8. A Priori as Analytic
If a tautology is immune from revision, why would that make it true? [Putnam]
13. Knowledge Criteria / C. External Justification / 7. Testimony
Knowledge depends on believing others, which must be innate, as inferences are not strong enough [Putnam]
Empathy may not give knowledge, but it can give plausibility or right opinion [Putnam]
14. Science / D. Explanation / 4. Explanation Doubts / a. Explanation as pragmatic
You can't decide which explanations are good if you don't attend to the interest-relative aspects [Putnam]
19. Language / A. Nature of Meaning / 1. Meaning
Theory of meaning presupposes theory of understanding and reference [Putnam]
19. Language / A. Nature of Meaning / 4. Meaning as Truth-Conditions
Truth conditions can't explain understanding a sentence, because that in turn needs explanation [Putnam]
We should reject the view that truth is prior to meaning [Putnam]
19. Language / B. Reference / 1. Reference theories
How reference is specified is not what reference is [Putnam]
19. Language / B. Reference / 4. Descriptive Reference / b. Reference by description
The claim that scientific terms are incommensurable can be blocked if scientific terms are not descriptions [Putnam]
19. Language / F. Communication / 4. Private Language
A private language could work with reference and beliefs, and wouldn't need meaning [Putnam]
19. Language / F. Communication / 6. Interpreting Language / b. Indeterminate translation
The correct translation is the one that explains the speaker's behaviour [Putnam]
Language maps the world in many ways (because it maps onto other languages in many ways) [Putnam]
19. Language / F. Communication / 6. Interpreting Language / c. Principle of charity
You can't say 'most speaker's beliefs are true'; in some areas this is not so, and you can't count beliefs [Putnam]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]