Combining Texts

All the ideas for 'Explanation and Reference', 'works' and 'Art'

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26 ideas

1. Philosophy / H. Continental Philosophy / 3. Hermeneutics
5435 An interpreter of a text, because of wider knowledge, can understand it better than its author [Schleiermacher, by Mautner]
22028 Unity emerges from understanding particulars, so understanding is prior to seeing unity [Schleiermacher]
5. Theory of Logic / F. Referring in Logic / 1. Naming / a. Names
17505 Using proper names properly doesn't involve necessary and sufficient conditions [Putnam]
9. Objects / D. Essence of Objects / 5. Essence as Kind
11908 Putnam bases essences on 'same kind', but same kinds may not share properties [Mackie,P on Putnam]
14. Science / B. Scientific Theories / 2. Aim of Science
17508 Science aims at truth, not at 'simplicity' [Putnam]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
17506 I now think reference by the tests of experts is a special case of being causally connected [Putnam]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
26. Natural Theory / B. Natural Kinds / 5. Reference to Natural Kinds
17507 Natural kind stereotypes are 'strong' (obvious, like tiger) or 'weak' (obscure, like molybdenum) [Putnam]
11904 Express natural kinds as a posteriori predicate connections, not as singular terms [Putnam, by Mackie,P]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]