57 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
6267 | A culture needs to admit that knowledge is more extensive than just 'science' [Putnam] |
6272 | 'True' and 'refers' cannot be made scientically precise, but are fundamental to science [Putnam] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
6276 | 'The rug is green' might be warrantedly assertible even though the rug is not green [Putnam] |
6266 | We need the correspondence theory of truth to understand language and science [Putnam] |
6277 | Correspondence between concepts and unconceptualised reality is impossible [Putnam] |
6264 | In Tarski's definition, you understand 'true' if you accept the notions of the object language [Putnam] |
6265 | Tarski has given a correct account of the formal logic of 'true', but there is more to the concept [Putnam] |
6269 | Only Tarski has found a way to define 'true' [Putnam] |
7785 | The use of plurals doesn't commit us to sets; there do not exist individuals and collections [Boolos] |
10699 | Does a bowl of Cheerios contain all its sets and subsets? [Boolos] |
10225 | Monadic second-order logic might be understood in terms of plural quantifiers [Boolos, by Shapiro] |
10736 | Boolos showed how plural quantifiers can interpret monadic second-order logic [Boolos, by Linnebo] |
10780 | Any sentence of monadic second-order logic can be translated into plural first-order logic [Boolos, by Linnebo] |
10697 | Identity is clearly a logical concept, and greatly enhances predicate calculus [Boolos] |
13671 | Second-order quantifiers are just like plural quantifiers in ordinary language, with no extra ontology [Boolos, by Shapiro] |
10267 | We should understand second-order existential quantifiers as plural quantifiers [Boolos, by Shapiro] |
10698 | Plural forms have no more ontological commitment than to first-order objects [Boolos] |
7806 | Boolos invented plural quantification [Boolos, by Benardete,JA] |
6280 | Realism is a theory, which explains the convergence of science and the success of language [Putnam] |
10700 | First- and second-order quantifiers are two ways of referring to the same things [Boolos] |
6284 | If a tautology is immune from revision, why would that make it true? [Putnam] |
6273 | Knowledge depends on believing others, which must be innate, as inferences are not strong enough [Putnam] |
6274 | Empathy may not give knowledge, but it can give plausibility or right opinion [Putnam] |
17084 | You can't decide which explanations are good if you don't attend to the interest-relative aspects [Putnam] |
6282 | Theory of meaning presupposes theory of understanding and reference [Putnam] |
6281 | Truth conditions can't explain understanding a sentence, because that in turn needs explanation [Putnam] |
6278 | We should reject the view that truth is prior to meaning [Putnam] |
6271 | How reference is specified is not what reference is [Putnam] |
6268 | The claim that scientific terms are incommensurable can be blocked if scientific terms are not descriptions [Putnam] |
6279 | A private language could work with reference and beliefs, and wouldn't need meaning [Putnam] |
6270 | The correct translation is the one that explains the speaker's behaviour [Putnam] |
6283 | Language maps the world in many ways (because it maps onto other languages in many ways) [Putnam] |
6275 | You can't say 'most speaker's beliefs are true'; in some areas this is not so, and you can't count beliefs [Putnam] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |