Combining Texts

All the ideas for 'fragments/reports', 'works' and 'The Principles of Art'

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12 ideas

4. Formal Logic / G. Formal Mereology / 1. Mereology
Abelard's mereology involves privileged and natural divisions, and principal parts [Abelard, by King,P]
8. Modes of Existence / E. Nominalism / 1. Nominalism / b. Nominalism about universals
If 'animal' is wholly present in Socrates and an ass, then 'animal' is rational and irrational [Abelard, by King,P]
Abelard was an irrealist about virtually everything apart from concrete individuals [Abelard, by King,P]
8. Modes of Existence / E. Nominalism / 3. Predicate Nominalism
Only words can be 'predicated of many'; the universality is just in its mode of signifying [Abelard, by Panaccio]
10. Modality / A. Necessity / 4. De re / De dicto modality
The de dicto-de re modality distinction dates back to Abelard [Abelard, by Orenstein]
13. Knowledge Criteria / E. Relativism / 2. Knowledge as Convention
By nature people are close to one another, but culture drives them apart [Hippias]
18. Thought / E. Abstraction / 8. Abstractionism Critique
Abelard's problem is the purely singular aspects of things won't account for abstraction [Panaccio on Abelard]
19. Language / C. Assigning Meanings / 3. Predicates
Nothing external can truly be predicated of an object [Abelard, by Panaccio]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S]
26. Natural Theory / B. Natural Kinds / 7. Critique of Kinds
Natural kinds are not special; they are just well-defined resemblance collections [Abelard, by King,P]