18 ideas
| 18739 | Three stages of philosophical logic: syntactic (1905-55), possible worlds (1963-85), widening (1990-) [Horsten/Pettigrew] |
| 18741 | Logical formalization makes concepts precise, and also shows their interrelation [Horsten/Pettigrew] |
| 18744 | Models are sets with functions and relations, and truth built up from the components [Horsten/Pettigrew] |
| 18740 | If 'exist' doesn't express a property, we can hardly ask for its essence [Horsten/Pettigrew] |
| 21710 | We know a universal in 'yellow differs from blue' or 'yellow resembles blue less than green does' [Russell] |
| 18745 | A Tarskian model can be seen as a possible state of affairs [Horsten/Pettigrew] |
| 18747 | The 'spheres model' was added to possible worlds, to cope with counterfactuals [Horsten/Pettigrew] |
| 18748 | Epistemic logic introduced impossible worlds [Horsten/Pettigrew] |
| 18746 | Possible worlds models contain sets of possible worlds; this is a large metaphysical commitment [Horsten/Pettigrew] |
| 18750 | Using possible worlds for knowledge and morality may be a step too far [Horsten/Pettigrew] |
| 8854 | My 'acquaintance' with sense-data is nothing like my knowing New York [Williams,M on Russell] |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |