31 ideas
| 18739 | Three stages of philosophical logic: syntactic (1905-55), possible worlds (1963-85), widening (1990-) [Horsten/Pettigrew] |
| 18741 | Logical formalization makes concepts precise, and also shows their interrelation [Horsten/Pettigrew] |
| 18744 | Models are sets with functions and relations, and truth built up from the components [Horsten/Pettigrew] |
| 18740 | If 'exist' doesn't express a property, we can hardly ask for its essence [Horsten/Pettigrew] |
| 18745 | A Tarskian model can be seen as a possible state of affairs [Horsten/Pettigrew] |
| 18747 | The 'spheres model' was added to possible worlds, to cope with counterfactuals [Horsten/Pettigrew] |
| 18748 | Epistemic logic introduced impossible worlds [Horsten/Pettigrew] |
| 18746 | Possible worlds models contain sets of possible worlds; this is a large metaphysical commitment [Horsten/Pettigrew] |
| 18750 | Using possible worlds for knowledge and morality may be a step too far [Horsten/Pettigrew] |
| 12157 | Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton] |
| 20346 | The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim] |
| 18547 | Only rational beings can experience beauty [Kant, by Scruton] |
| 24172 | It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant] |
| 20408 | With respect to the senses, taste is an entirely personal matter [Kant] |
| 20409 | When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant] |
| 20411 | Saying everyone has their own taste destroys the very idea of taste [Kant] |
| 24170 | Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant] |
| 22711 | The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch] |
| 4025 | Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C] |
| 20412 | Beauty is only judged in pure contemplation, and not with something else at stake [Kant] |
| 22046 | The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard] |
| 21458 | The sublime is a moral experience [Kant, by Gardner] |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| 20410 | The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant] |
| 5643 | Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton] |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |