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All the ideas for 'Mathematical Methods in Philosophy', 'What is Art?' and 'Epistemic Norms'

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28 ideas

3. Truth / A. Truth Problems / 1. Truth
8820 Rules of reasoning precede the concept of truth, and they are what characterize it [Pollock]
3. Truth / H. Deflationary Truth / 2. Deflationary Truth
8819 We need the concept of truth for defeasible reasoning [Pollock]
5. Theory of Logic / A. Overview of Logic / 9. Philosophical Logic
18739 Three stages of philosophical logic: syntactic (1905-55), possible worlds (1963-85), widening (1990-) [Horsten/Pettigrew]
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
18741 Logical formalization makes concepts precise, and also shows their interrelation [Horsten/Pettigrew]
5. Theory of Logic / J. Model Theory in Logic / 1. Logical Models
18744 Models are sets with functions and relations, and truth built up from the components [Horsten/Pettigrew]
7. Existence / A. Nature of Existence / 1. Nature of Existence
18740 If 'exist' doesn't express a property, we can hardly ask for its essence [Horsten/Pettigrew]
10. Modality / A. Necessity / 2. Nature of Necessity
8822 Statements about necessities need not be necessarily true [Pollock]
10. Modality / E. Possible worlds / 1. Possible Worlds / a. Possible worlds
18745 A Tarskian model can be seen as a possible state of affairs [Horsten/Pettigrew]
18747 The 'spheres model' was added to possible worlds, to cope with counterfactuals [Horsten/Pettigrew]
10. Modality / E. Possible worlds / 1. Possible Worlds / b. Impossible worlds
18748 Epistemic logic introduced impossible worlds [Horsten/Pettigrew]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
18746 Possible worlds models contain sets of possible worlds; this is a large metaphysical commitment [Horsten/Pettigrew]
18750 Using possible worlds for knowledge and morality may be a step too far [Horsten/Pettigrew]
11. Knowledge Aims / A. Knowledge / 4. Belief / f. Animal beliefs
8818 Defeasible reasoning requires us to be able to think about our thoughts [Pollock]
13. Knowledge Criteria / A. Justification Problems / 1. Justification / b. Need for justification
8811 What we want to know is - when is it all right to believe something? [Pollock]
13. Knowledge Criteria / A. Justification Problems / 2. Justification Challenges / c. Knowledge closure
8817 Logical entailments are not always reasons for beliefs, because they may be irrelevant [Pollock]
13. Knowledge Criteria / A. Justification Problems / 3. Internal or External / a. Pro-internalism
8814 Epistemic norms are internalised procedural rules for reasoning [Pollock]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / c. Empirical foundations
8823 Reasons are always for beliefs, but a perceptual state is a reason without itself being a belief [Pollock]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / c. Coherentism critique
8813 If we have to appeal explicitly to epistemic norms, that will produce an infinite regress [Pollock]
13. Knowledge Criteria / C. External Justification / 1. External Justification
8812 Norm Externalism says norms must be internal, but their selection is partly external [Pollock]
8816 Externalists tend to take a third-person point of view of epistemology [Pollock]
13. Knowledge Criteria / C. External Justification / 10. Anti External Justification
8815 Belief externalism is false, because external considerations cannot be internalized for actual use [Pollock]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
8122 True works of art transmit completely new feelings [Tolstoy]
8121 Art is when one man uses external signs to hand on his feelings to another man [Tolstoy]
8124 The highest feelings of mankind can only be transmitted by art [Tolstoy]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
8123 The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22710 People estimate art according to their moral values [Tolstoy]
8125 The upper classes put beauty first, and thus freed themselves from morality [Tolstoy]
8064 We separate the concept of beauty from goodness, unlike the ancients [Tolstoy]