Combining Texts

All the ideas for 'Critique of Judgement I: Aesthetic', 'The Concept of Logical Consequence' and 'Sameness and Substance'

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48 ideas

1. Philosophy / F. Analytic Philosophy / 5. Linguistic Analysis
Semantic facts are preferable to transcendental philosophical fiction [Wiggins]
5. Theory of Logic / B. Logical Consequence / 1. Logical Consequence
Split out the logical vocabulary, make an assignment to the rest. It's logical if premises and conclusion match [Tarski, by Rumfitt]
5. Theory of Logic / B. Logical Consequence / 4. Semantic Consequence |=
X follows from sentences K iff every model of K also models X [Tarski]
5. Theory of Logic / J. Model Theory in Logic / 1. Logical Models
A 'model' is a sequence of objects which satisfies a complete set of sentential functions [Tarski]
6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / d. Counting via concepts
Maybe the concept needed under which things coincide must also yield a principle of counting [Wiggins]
The sortal needed for identities may not always be sufficient to support counting [Wiggins]
7. Existence / D. Theories of Reality / 2. Realism
Realist Conceptualists accept that our interests affect our concepts [Wiggins]
Conceptualism says we must use our individuating concepts to grasp reality [Wiggins]
7. Existence / E. Categories / 3. Proposed Categories
Animal classifications: the Emperor's, fabulous, innumerable, like flies, stray dogs, embalmed…. [Wiggins]
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
Individuation needs accounts of identity, of change, and of singling out [Wiggins]
Individuation can only be understood by the relation between things and thinkers [Wiggins]
9. Objects / A. Existence of Objects / 5. Individuation / c. Individuation by location
Singling out extends back and forward in time [Wiggins]
9. Objects / A. Existence of Objects / 5. Individuation / e. Individuation by kind
The only singling out is singling out 'as' something [Wiggins]
In Aristotle's sense, saying x falls under f is to say what x is [Wiggins]
Every determinate thing falls under a sortal, which fixes its persistence [Wiggins]
9. Objects / D. Essence of Objects / 5. Essence as Kind
Natural kinds are well suited to be the sortals which fix substances [Wiggins]
9. Objects / D. Essence of Objects / 11. Essence of Artefacts
Artefacts are individuated by some matter having a certain function [Wiggins]
9. Objects / D. Essence of Objects / 13. Nominal Essence
Nominal essences don't fix membership, ignore evolution, and aren't contextual [Wiggins]
9. Objects / E. Objects over Time / 1. Objects over Time
'What is it?' gives the kind, nature, persistence conditions and identity over time of a thing [Wiggins]
9. Objects / E. Objects over Time / 7. Intermittent Objects
A restored church is the same 'church', but not the same 'building' or 'brickwork' [Wiggins]
A thing begins only once; for a clock, it is when its making is first completed [Wiggins]
9. Objects / E. Objects over Time / 9. Ship of Theseus
Priests prefer the working ship; antiquarians prefer the reconstruction [Wiggins]
9. Objects / F. Identity among Objects / 2. Defining Identity
Identity cannot be defined, because definitions are identities [Wiggins]
Leibniz's Law (not transitivity, symmetry, reflexivity) marks what is peculiar to identity [Wiggins]
Identity is primitive [Wiggins]
9. Objects / F. Identity among Objects / 6. Identity between Objects
A is necessarily A, so if B is A, then B is also necessarily A [Wiggins]
9. Objects / F. Identity among Objects / 7. Indiscernible Objects
By the principle of Indiscernibility, a symmetrical object could only be half of itself! [Wiggins]
9. Objects / F. Identity among Objects / 9. Sameness
We want to explain sameness as coincidence of substance, not as anything qualitative [Wiggins]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / a. Conceivable as possible
It is hard or impossible to think of Caesar as not human [Wiggins]
13. Knowledge Criteria / E. Relativism / 5. Language Relativism
Our sortal concepts fix what we find in experience [Wiggins]
18. Thought / D. Concepts / 2. Origin of Concepts / b. Empirical concepts
We conceptualise objects, but they impinge on us [Wiggins]
18. Thought / D. Concepts / 4. Structure of Concepts / f. Theory theory of concepts
A 'conception' of a horse is a full theory of what it is (and not just the 'concept') [Wiggins]
19. Language / E. Analyticity / 1. Analytic Propositions
Sentences are 'analytical' if every sequence of objects models them [Tarski]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]