Combining Texts

All the ideas for 'Critique of Judgement I: Aesthetic', 'Reductive Theories of Modality' and 'Knowledge by Acquaintance and Description-1'

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16 ideas

1. Philosophy / D. Nature of Philosophy / 3. Philosophy Defined
Maybe what distinguishes philosophy from science is its pursuit of necessary truths [Sider]
8. Modes of Existence / D. Universals / 2. Need for Universals
We know a universal in 'yellow differs from blue' or 'yellow resembles blue less than green does' [Russell]
12. Knowledge Sources / B. Perception / 4. Sense Data / d. Sense-data problems
My 'acquaintance' with sense-data is nothing like my knowing New York [Williams,M on Russell]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]