20 ideas
10688 | 'Equivocation' is when terms do not mean the same thing in premises and conclusion [Beall/Restall] |
17884 | Mathematical set theory has many plausible stopping points, such as finitism, and predicativism [Koellner] |
17893 | 'Reflection principles' say the whole truth about sets can't be captured [Koellner] |
10690 | Formal logic is invariant under permutations, or devoid of content, or gives the norms for thought [Beall/Restall] |
10691 | Logical consequence needs either proofs, or absence of counterexamples [Beall/Restall] |
10695 | Logical consequence is either necessary truth preservation, or preservation based on interpretation [Beall/Restall] |
10689 | A step is a 'material consequence' if we need contents as well as form [Beall/Restall] |
10696 | A 'logical truth' (or 'tautology', or 'theorem') follows from empty premises [Beall/Restall] |
10693 | Models are mathematical structures which interpret the non-logical primitives [Beall/Restall] |
17894 | We have no argument to show a statement is absolutely undecidable [Koellner] |
17890 | There are at least eleven types of large cardinal, of increasing logical strength [Koellner] |
10692 | Hilbert proofs have simple rules and complex axioms, and natural deduction is the opposite [Beall/Restall] |
17887 | PA is consistent as far as we can accept, and we expand axioms to overcome limitations [Koellner] |
17891 | Arithmetical undecidability is always settled at the next stage up [Koellner] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |