20 ideas
10688 | 'Equivocation' is when terms do not mean the same thing in premises and conclusion [Beall/Restall] |
10690 | Formal logic is invariant under permutations, or devoid of content, or gives the norms for thought [Beall/Restall] |
10691 | Logical consequence needs either proofs, or absence of counterexamples [Beall/Restall] |
10695 | Logical consequence is either necessary truth preservation, or preservation based on interpretation [Beall/Restall] |
10689 | A step is a 'material consequence' if we need contents as well as form [Beall/Restall] |
10696 | A 'logical truth' (or 'tautology', or 'theorem') follows from empty premises [Beall/Restall] |
10693 | Models are mathematical structures which interpret the non-logical primitives [Beall/Restall] |
10692 | Hilbert proofs have simple rules and complex axioms, and natural deduction is the opposite [Beall/Restall] |
19284 | Asserting a necessity just expresses our inability to imagine it is false [Blackburn] |
20429 | Most of us are too close to our own motives to understand them [Fry] |
20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
20431 | Art needs a mixture of order and variety in its sensations [Fry] |
20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |