Combining Texts

All the ideas for 'Semiology and Grammatology', 'Art' and 'On Interpretation'

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38 ideas

2. Reason / B. Laws of Thought / 4. Contraries
In "Callias is just/not just/unjust", which of these are contraries? [Aristotle]
3. Truth / B. Truthmakers / 10. Making Future Truths
It is necessary that either a sea-fight occurs tomorrow or it doesn't, though neither option is in itself necessary [Aristotle]
3. Truth / C. Correspondence Truth / 1. Correspondence Truth
Statements are true according to how things actually are [Aristotle]
4. Formal Logic / A. Syllogistic Logic / 1. Aristotelian Logic
Aristotle's later logic had to treat 'Socrates' as 'everything that is Socrates' [Potter on Aristotle]
Square of Opposition: not both true, or not both false; one-way implication; opposite truth-values [Aristotle]
4. Formal Logic / D. Modal Logic ML / 1. Modal Logic
Modal Square 1: □P and ¬◊¬P are 'contraries' of □¬P and ¬◊P [Aristotle, by Fitting/Mendelsohn]
Modal Square 2: ¬□¬P and ◊P are 'subcontraries' of ¬□P and ◊¬P [Aristotle, by Fitting/Mendelsohn]
Modal Square 3: □P and ¬◊¬P are 'contradictories' of ¬□P and ◊¬P [Aristotle, by Fitting/Mendelsohn]
Modal Square 4: □¬P and ¬◊P are 'contradictories' of ¬□¬P and ◊P [Aristotle, by Fitting/Mendelsohn]
Modal Square 5: □P and ¬◊¬P are 'subalternatives' of ¬□¬P and ◊P [Aristotle, by Fitting/Mendelsohn]
Modal Square 6: □¬P and ¬◊P are 'subalternatives' of ¬□P and ◊¬P [Aristotle, by Fitting/Mendelsohn]
5. Theory of Logic / D. Assumptions for Logic / 1. Bivalence
In talking of future sea-fights, Aristotle rejects bivalence [Aristotle, by Williamson]
5. Theory of Logic / D. Assumptions for Logic / 2. Excluded Middle
A prayer is a sentence which is neither true nor false [Aristotle]
7. Existence / A. Nature of Existence / 3. Being / e. Being and nothing
Non-existent things aren't made to exist by thought, because their non-existence is part of the thought [Aristotle]
7. Existence / A. Nature of Existence / 5. Reason for Existence
Maybe necessity and non-necessity are the first principles of ontology [Aristotle]
19. Language / A. Nature of Meaning / 2. Meaning as Mental
Everything that is experienced in consciousness is meaning [Derrida]
For Aristotle meaning and reference are linked to concepts [Aristotle, by Putnam]
19. Language / D. Propositions / 4. Mental Propositions
Spoken sounds vary between people, but are signs of affections of soul, which are the same for all [Aristotle]
19. Language / F. Communication / 3. Denial
It doesn't have to be the case that in opposed views one is true and the other false [Aristotle]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
27. Natural Reality / D. Time / 1. Nature of Time / g. Growing block
Things may be necessary once they occur, but not be unconditionally necessary [Aristotle]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]