7 ideas
| 8431 | Problems with Goodman's view of counterfactuals led to a radical approach from Stalnaker and Lewis [Horwich] |
| 8212 | Everything that is experienced in consciousness is meaning [Derrida] |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| 8432 | Analyse counterfactuals using causation, not the other way around [Horwich] |