Combining Texts

All the ideas for 'Letters to Leibniz', 'Outline of a System of the Philosophy of Nature' and 'Art and Its Objects'

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21 ideas

8. Modes of Existence / C. Powers and Dispositions / 4. Powers as Essence
12750 The question is whether force is self-sufficient in bodies, and essential, or dependent on something [Lenfant]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
20339 Classes rarely share properties with their members - unlike universals and types [Wollheim]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
21925 For Schelling the Absolute spirit manifests as nature in which self-consciousness evolves [Schelling, by Lewis,PB]
22045 Metaphysics aims at the Absolute, which goes beyond subjective and objective viewpoints [Schelling, by Pinkard]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
20338 We often treat a type as if it were a sort of token [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20342 Interpretation is performance for some arts, and critical for all arts [Wollheim]
20343 A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20348 A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20347 If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20345 Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
20331 It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
20336 Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
20337 The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20333 If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
20334 The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
20335 The ideal theory of art neglects both the audience and the medium employed [Wollheim]
20340 A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
20341 An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
20332 A drawing only represents Napoleon if the artist intended it to [Wollheim]
26. Natural Theory / A. Speculations on Nature / 1. Nature
22057 Schelling sought a union between the productivities of nature and of the mind [Schelling, by Bowie]
22031 Schelling made organisms central to nature, because mere mechanism could never produce them [Schelling, by Pinkard]