Combining Texts

All the ideas for 'Events as property exemplifications', 'An Essay in Aesthetics' and 'Disquisitions'

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18 ideas

7. Existence / B. Change in Existence / 4. Events / c. Reduction of events
How fine-grained Kim's events are depends on how finely properties are individuated [Kim, by Schaffer,J]
If events are ordered triples of items, such things seem to be sets, and hence abstract [Simons on Kim]
Events cannot be merely ordered triples, but must specify the link between the elements [Kim, by Simons]
Events are composed of an object with an attribute at a time [Kim, by Simons]
Since properties like self-identity and being 2+2=4 are timeless, Kim must restrict his properties [Simons on Kim]
Kim's theory results in too many events [Simons on Kim]
8. Modes of Existence / B. Properties / 8. Properties as Modes
Modes of things exist in some way, without being full-blown substances [Gassendi]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]