Combining Texts

All the ideas for 'The Coherence Theory of Truth', 'The Big Book of Concepts' and 'The Sublime and the Good'

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38 ideas

3. Truth / B. Truthmakers / 12. Rejecting Truthmakers
For idealists reality is like a collection of beliefs, so truths and truthmakers are not distinct [Young,JO]
3. Truth / D. Coherence Truth / 1. Coherence Truth
Coherence theories differ over the coherence relation, and over the set of proposition with which to cohere [Young,JO]
Two propositions could be consistent with your set, but inconsistent with one another [Young,JO]
Coherence with actual beliefs, or our best beliefs, or ultimate ideal beliefs? [Young,JO]
Coherent truth is not with an arbitrary set of beliefs, but with a set which people actually do believe [Young,JO]
3. Truth / D. Coherence Truth / 2. Coherence Truth Critique
How do you identify the best coherence set; and aren't there truths which don't cohere? [Young,JO]
3. Truth / H. Deflationary Truth / 2. Deflationary Truth
Deflationary theories reject analysis of truth in terms of truth-conditions [Young,JO]
12. Knowledge Sources / B. Perception / 5. Interpretation
Research shows perceptual discrimination is sharper at category boundaries [Murphy]
14. Science / C. Induction / 1. Induction
Induction is said to just compare properties of categories, but the type of property also matters [Murphy]
18. Thought / D. Concepts / 1. Concepts / a. Nature of concepts
The main theories of concepts are exemplar, prototype and knowledge [Murphy]
18. Thought / D. Concepts / 4. Structure of Concepts / c. Classical concepts
The theoretical and practical definitions for the classical view are very hard to find [Murphy]
The classical definitional approach cannot distinguish typical and atypical category members [Murphy]
Classical concepts follow classical logic, but concepts in real life don't work that way [Murphy]
Classical concepts are transitive hierarchies, but actual categories may be intransitive [Murphy]
The classical core is meant to be the real concept, but actually seems unimportant [Murphy]
18. Thought / D. Concepts / 4. Structure of Concepts / d. Concepts as prototypes
There is no 'ideal' bird or dog, and prototypes give no information about variability [Murphy]
Prototypes are unified representations of the entire category (rather than of members) [Murphy]
The prototype theory uses observed features, but can't include their construction [Murphy]
The prototype theory handles hierarchical categories and combinations of concepts well [Murphy]
Prototypes theory of concepts is best, as a full description with weighted typical features [Murphy]
Learning concepts is forming prototypes with a knowledge structure [Murphy]
18. Thought / D. Concepts / 4. Structure of Concepts / e. Concepts from exemplars
The most popular theories of concepts are based on prototypes or exemplars [Murphy]
The exemplar view of concepts says 'dogs' is the set of dogs I remember [Murphy]
Exemplar theory struggles with hierarchical classification and with induction [Murphy]
Children using knowing and essentialist categories doesn't fit the exemplar view [Murphy]
Conceptual combination must be compositional, and can't be built up from exemplars [Murphy]
The concept of birds from exemplars must also be used in inductions about birds [Murphy]
18. Thought / D. Concepts / 4. Structure of Concepts / f. Theory theory of concepts
We do not learn concepts in isolation, but as an integrated part of broader knowledge [Murphy]
Concepts with familiar contents are easier to learn [Murphy]
Some knowledge is involved in instant use of categories, other knowledge in explanations [Murphy]
People categorise things consistent with their knowledge, even rejecting some good evidence [Murphy]
19. Language / A. Nature of Meaning / 4. Meaning as Truth-Conditions
Are truth-condtions other propositions (coherence) or features of the world (correspondence)? [Young,JO]
Coherence truth suggests truth-condtions are assertion-conditions, which need knowledge of justification [Young,JO]
21. Aesthetics / B. Nature of Art / 1. Defining Art
We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Great art proves the absurdity of art for art's sake [Murdoch]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Because art is love, it improves us morally [Murdoch]
Art and morals are essentially the same, and are both identical with love [Murdoch]
22. Metaethics / B. Value / 2. Values / g. Love
Love is realising something other than oneself is real [Murdoch]