Combining Texts

All the ideas for 'Why coherence is not enough', 'Fourfold Root of Princ of Sufficient Reason' and 'Art and Its Objects'

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26 ideas

2. Reason / B. Laws of Thought / 2. Sufficient Reason
Sufficient Reason can't be proved, because all proof presupposes it [Schopenhauer, by Lewis,PB]
7. Existence / E. Categories / 1. Categories
No need for a priori categories, since sufficient reason shows the interrelations [Schopenhauer, by Lewis,PB]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
10. Modality / A. Necessity / 3. Types of Necessity
Necessity is physical, logical, mathematical or moral [Schopenhauer, by Janaway]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / a. Idealism
For Schopenhauer, material things would not exist without the mind [Schopenhauer, by Janaway]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
Object for a subject and representation are the same thing [Schopenhauer]
13. Knowledge Criteria / A. Justification Problems / 2. Justification Challenges / a. Agrippa's trilemma
There are five possible responses to the problem of infinite regress in justification [Cleve]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / a. Foundationalism
Modern foundationalists say basic beliefs are fallible, and coherence is relevant [Cleve]
14. Science / D. Explanation / 2. Types of Explanation / a. Types of explanation
The four explanations: objects by causes, concepts by ground, maths by spacetime, ethics by motive [Schopenhauer, by Lewis,PB]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
18. Thought / D. Concepts / 2. Origin of Concepts / b. Empirical concepts
Concepts are abstracted from perceptions [Schopenhauer, by Lewis,PB]
20. Action / C. Motives for Action / 3. Acting on Reason / c. Reasons as causes
Motivation is causality seen from within [Schopenhauer]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
A love of nature must precede a love of art [Wollheim]
Interpretation is performance for some arts, and critical for all arts [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]