26 ideas
21918 | Sufficient Reason can't be proved, because all proof presupposes it [Schopenhauer, by Lewis,PB] |
21920 | No need for a priori categories, since sufficient reason shows the interrelations [Schopenhauer, by Lewis,PB] |
20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
21362 | Necessity is physical, logical, mathematical or moral [Schopenhauer, by Janaway] |
21361 | For Schopenhauer, material things would not exist without the mind [Schopenhauer, by Janaway] |
21919 | Object for a subject and representation are the same thing [Schopenhauer] |
8840 | There are five possible responses to the problem of infinite regress in justification [Cleve] |
8841 | Modern foundationalists say basic beliefs are fallible, and coherence is relevant [Cleve] |
21917 | The four explanations: objects by causes, concepts by ground, maths by spacetime, ethics by motive [Schopenhauer, by Lewis,PB] |
20338 | We often treat a type as if it were a sort of token [Wollheim] |
21921 | Concepts are abstracted from perceptions [Schopenhauer, by Lewis,PB] |
21363 | Motivation is causality seen from within [Schopenhauer] |
20343 | A love of nature must precede a love of art [Wollheim] |
20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |