Combining Texts

All the ideas for 'Why coherence is not enough', 'The Intentional Fallacy' and 'Scientific Attitude and Fallibilism'

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16 ideas

6. Mathematics / A. Nature of Mathematics / 4. Using Numbers / c. Counting procedure
Numbers are just names devised for counting [Peirce]
6. Mathematics / C. Sources of Mathematics / 4. Mathematical Empiricism / c. Against mathematical empiricism
That two two-eyed people must have four eyes is a statement about numbers, not a fact [Peirce]
11. Knowledge Aims / B. Certain Knowledge / 3. Fallibilism
Reasoning is based on statistical induction, so it can't achieve certainty or precision [Peirce]
12. Knowledge Sources / A. A Priori Knowledge / 3. Innate Knowledge / a. Innate knowledge
Innate truths are very uncertain and full of error, so they certainly have exceptions [Peirce]
12. Knowledge Sources / E. Direct Knowledge / 3. Inspiration
A truth is hard for us to understand if it rests on nothing but inspiration [Peirce]
If we decide an idea is inspired, we still can't be sure we have got the idea right [Peirce]
Only reason can establish whether some deliverance of revelation really is inspired [Peirce]
13. Knowledge Criteria / A. Justification Problems / 2. Justification Challenges / a. Agrippa's trilemma
There are five possible responses to the problem of infinite regress in justification [Cleve]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / a. Foundationalism
Modern foundationalists say basic beliefs are fallible, and coherence is relevant [Cleve]
15. Nature of Minds / C. Capacities of Minds / 2. Imagination
Only imagination can connect phenomena together in a rational way [Peirce]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]