23 ideas
3695 | Philosophy is a priori if it is anything [Bonjour] |
3651 | Perceiving necessary connections is the essence of reasoning [Bonjour] |
3700 | Coherence can't be validated by appeal to coherence [Bonjour] |
3697 | The concept of possibility is prior to that of necessity [Bonjour] |
3704 | Moderate rationalists believe in fallible a priori justification [Bonjour] |
3707 | Our rules of thought can only be judged by pure rational insight [Bonjour] |
8840 | There are five possible responses to the problem of infinite regress in justification [Cleve] |
8841 | Modern foundationalists say basic beliefs are fallible, and coherence is relevant [Cleve] |
3696 | A priori justification requires understanding but no experience [Bonjour] |
3703 | You can't explain away a priori justification as analyticity, and you can't totally give it up [Bonjour] |
3706 | A priori justification can vary in degree [Bonjour] |
3699 | The induction problem blocks any attempted proof of physical statements [Bonjour] |
3701 | Externalist theories of justification don't require believers to have reasons for their beliefs [Bonjour] |
3702 | Externalism means we have no reason to believe, which is strong scepticism [Bonjour] |
3709 | Induction must go beyond the evidence, in order to explain why the evidence occurred [Bonjour] |
3708 | All thought represents either properties or indexicals [Bonjour] |
3698 | Indeterminacy of translation is actually indeterminacy of meaning and belief [Bonjour] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |