Combining Texts

All the ideas for 'works', 'An Essay in Aesthetics' and 'Must We Believe in Set Theory?'

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22 ideas

4. Formal Logic / F. Set Theory ST / 1. Set Theory
The logic of ZF is classical first-order predicate logic with identity [Boolos]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / a. Axioms for sets
A few axioms of set theory 'force themselves on us', but most of them don't [Boolos]
4. Formal Logic / F. Set Theory ST / 5. Conceptions of Set / d. Naïve logical sets
Naïve sets are inconsistent: there is no set for things that do not belong to themselves [Boolos]
4. Formal Logic / F. Set Theory ST / 5. Conceptions of Set / e. Iterative sets
The iterative conception says sets are formed at stages; some are 'earlier', and must be formed first [Boolos]
6. Mathematics / A. Nature of Mathematics / 5. The Infinite / a. The Infinite
Infinite natural numbers is as obvious as infinite sentences in English [Boolos]
6. Mathematics / A. Nature of Mathematics / 5. The Infinite / f. Uncountable infinities
Mathematics and science do not require very high orders of infinity [Boolos]
6. Mathematics / C. Sources of Mathematics / 1. Mathematical Platonism / a. For mathematical platonism
Mathematics isn't surprising, given that we experience many objects as abstract [Boolos]
8. Modes of Existence / D. Universals / 1. Universals
It is lunacy to think we only see ink-marks, and not word-types [Boolos]
9. Objects / A. Existence of Objects / 2. Abstract Objects / a. Nature of abstracta
I am a fan of abstract objects, and confident of their existence [Boolos]
9. Objects / A. Existence of Objects / 2. Abstract Objects / c. Modern abstracta
We deal with abstract objects all the time: software, poems, mistakes, triangles.. [Boolos]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
17. Mind and Body / A. Mind-Body Dualism / 5. Parallelism
If parallelism is true, how does the mind know about the body? [Crease]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]