Combining Texts

All the ideas for 'Being and Nothingness', 'Critique of Judgement I: Aesthetic' and 'Reference and Contingency'

expand these ideas     |    start again     |     specify just one area for these texts


28 ideas

7. Existence / A. Nature of Existence / 3. Being / h. Dasein (being human)
For Sartre there is only being for-itself, or being in-itself (which is beyond experience) [Sartre, by Daigle]
10. Modality / B. Possibility / 5. Contingency
'Superficial' contingency: false in some world; 'Deep' contingency: no obvious verification [Evans, by Macià/Garcia-Carpentiro]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
Rigid designators can be meaningful even if empty [Evans, by Mackie,P]
11. Knowledge Aims / C. Knowing Reality / 2. Phenomenalism
Appearances do not hide the essence; appearances are the essence [Sartre]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / b. Essence of consciousness
Sartre says consciousness is just directedness towards external objects [Sartre, by Rowlands]
18. Thought / C. Content / 1. Content
Sartre rejects mental content, and the idea that the mind has hidden inner features [Sartre, by Rowlands]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
Man is a useless passion [Sartre]
Man is the desire to be God [Sartre]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Sartre's freedom is not for whimsical action, but taking responsibility for our own values [Sartre, by Daigle]
22. Metaethics / B. Value / 2. Values / g. Love
Love is the demand to be loved [Sartre]
23. Ethics / F. Existentialism / 3. Angst
Fear concerns the world, but 'anguish' comes from confronting my self [Sartre]
23. Ethics / F. Existentialism / 6. Authentic Self
Sincerity is not authenticity, because it only commits to one particular identity [Sartre, by Aho]
We flee from the anguish of freedom by seeing ourselves objectively, as determined [Sartre]