Combining Texts

All the ideas for 'On the Philosophy of Logic', 'Languages of Art (2nd edn)' and 'The Intentional Fallacy'

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20 ideas

2. Reason / A. Nature of Reason / 1. On Reason
8952 We reach 'reflective equilibrium' when intuitions and theory completely align [Fisher]
4. Formal Logic / E. Nonclassical Logics / 3. Many-Valued Logic
8943 Three-valued logic says excluded middle and non-contradition are not tautologies [Fisher]
4. Formal Logic / E. Nonclassical Logics / 4. Fuzzy Logic
8945 Fuzzy logic has many truth values, ranging in fractions from 0 to 1 [Fisher]
5. Theory of Logic / A. Overview of Logic / 6. Classical Logic
8951 Classical logic is: excluded middle, non-contradiction, contradictions imply all, disjunctive syllogism [Fisher]
5. Theory of Logic / C. Ontology of Logic / 2. Platonism in Logic
8950 Logic formalizes how we should reason, but it shouldn't determine whether we are realists [Fisher]
7. Existence / D. Theories of Reality / 10. Vagueness / g. Degrees of vagueness
8946 We could make our intuitions about heaps precise with a million-valued logic [Fisher]
9. Objects / B. Unity of Objects / 3. Unity Problems / e. Vague objects
8944 Vagueness can involve components (like baldness), or not (like boredom) [Fisher]
10. Modality / B. Possibility / 1. Possibility
8941 We can't explain 'possibility' in terms of 'possible' worlds [Fisher]
10. Modality / B. Possibility / 8. Conditionals / c. Truth-function conditionals
8947 If all truths are implied by a falsehood, then not-p might imply both q and not-q [Fisher]
10. Modality / B. Possibility / 8. Conditionals / d. Non-truthfunction conditionals
8949 In relevance logic, conditionals help information to flow from antecedent to consequent [Fisher]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20440 Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman]
21. Aesthetics / B. Nature of Art / 5. Art as Language
20439 Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20438 A performance is only an instance of a work if there is not a single error [Goodman]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20400 Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
7266 The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
7267 Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
7268 The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
7269 The intentional fallacy is a romantic one [Wimsatt/Beardsley]
7271 Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
20437 A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman]