Combining Texts

All the ideas for 'Actions', 'Art' and 'What is the Source of Knowledge of Modal Truths?'

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38 ideas

2. Reason / D. Definition / 6. Definition by Essence
A definition of a circle will show what it is, and show its generating principle [Lowe]
Defining an ellipse by conic sections reveals necessities, but not the essence of an ellipse [Lowe]
An essence is what an entity is, revealed by a real definition; this is not an entity in its own right [Lowe]
2. Reason / D. Definition / 11. Ostensive Definition
Simple things like 'red' can be given real ostensive definitions [Lowe]
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
The essence of lumps and statues shows that two objects coincide but are numerically distinct [Lowe]
The essence of a bronze statue shows that it could be made of different bronze [Lowe]
9. Objects / D. Essence of Objects / 4. Essence as Definition
Grasping an essence is just grasping a real definition [Lowe]
9. Objects / D. Essence of Objects / 8. Essence as Explanatory
Explanation can't give an account of essence, because it is too multi-faceted [Lowe]
9. Objects / D. Essence of Objects / 14. Knowledge of Essences
If we must know some entity to know an essence, we lack a faculty to do that [Lowe]
10. Modality / A. Necessity / 3. Types of Necessity
Logical necessities, based on laws of logic, are a proper sub-class of metaphysical necessities [Lowe]
10. Modality / A. Necessity / 5. Metaphysical Necessity
'Metaphysical' necessity is absolute and objective - the strongest kind of necessity [Lowe]
10. Modality / B. Possibility / 2. Epistemic possibility
'Epistemic' necessity is better called 'certainty' [Lowe]
10. Modality / C. Sources of Modality / 6. Necessity from Essence
If an essence implies p, then p is an essential truth, and hence metaphysically necessary [Lowe]
Metaphysical necessity is either an essential truth, or rests on essential truths [Lowe]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
We could give up possible worlds if we based necessity on essences [Lowe]
12. Knowledge Sources / E. Direct Knowledge / 2. Intuition
'Intuitions' are just unreliable 'hunches'; over centuries intuitions change enormously [Lowe]
18. Thought / D. Concepts / 1. Concepts / a. Nature of concepts
A concept is a way of thinking of things or kinds, whether or not they exist [Lowe]
19. Language / B. Reference / 3. Direct Reference / a. Direct reference
Direct reference doesn't seem to require that thinkers know what it is they are thinking about [Lowe]
20. Action / A. Definition of Action / 5. Action as Trying
Bodily movements are not actions, which are really the tryings within bodily movement [Hornsby, by Stout,R]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / e. Anti scientific essentialism
H2O isn't necessary, because different laws of nature might affect how O and H combine [Lowe]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]