29 ideas
| 12619 | We have no successful definitions, because they all use indefinable words [Fodor] |
| 8920 | Equivalence relations are reflexive, symmetric and transitive, and classify similar objects [Lipschutz] |
| 12620 | If 'exist' is ambiguous in 'chairs and numbers exist', that mirrors the difference between chairs and numbers [Fodor] |
| 12613 | Empiricists use dispositions reductively, as 'possibility of sensation' or 'possibility of experimental result' [Fodor] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 12617 | Associationism can't explain how truth is preserved [Fodor] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 12615 | Mental representations are the old 'Ideas', but without images [Fodor] |
| 6650 | Fodor is now less keen on the innateness of concepts [Fodor, by Lowe] |
| 12618 | It is essential to the concept CAT that it be satisfied by cats [Fodor] |
| 12614 | I prefer psychological atomism - that concepts are independent of epistemic capacities [Fodor] |
| 12621 | Definable concepts have constituents, which are necessary, individuate them, and demonstrate possession [Fodor] |
| 12622 | Many concepts lack prototypes, and complex prototypes aren't built from simple ones [Fodor] |
| 12623 | The theory theory can't actually tell us what concepts are [Fodor] |
| 12616 | English has no semantic theory, just associations between sentences and thoughts [Fodor] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |