Combining Texts

All the ideas for 'The Science of Knowing (Wissenschaftslehre) [1st ed]', 'An Essay in Aesthetics' and 'The Limits of Contingency'

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35 ideas

2. Reason / A. Nature of Reason / 5. Objectivity
Fichte's subjectivity struggles to then give any account of objectivity [Pinkard on Fichte]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / c. Axiom of Pairing II
Pairing (with Extensionality) guarantees an infinity of sets, just from a single element [Rosen]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / c. not
Normativity needs the possibility of negation, in affirmation and denial [Fichte, by Pinkard]
9. Objects / A. Existence of Objects / 4. Impossible objects
A Meinongian principle might say that there is an object for any modest class of properties [Rosen]
10. Modality / A. Necessity / 5. Metaphysical Necessity
Metaphysical necessity is absolute and universal; metaphysical possibility is very tolerant [Rosen]
'Metaphysical' modality is the one that makes the necessity or contingency of laws of nature interesting [Rosen]
Sets, universals and aggregates may be metaphysically necessary in one sense, but not another [Rosen]
Standard Metaphysical Necessity: P holds wherever the actual form of the world holds [Rosen]
Non-Standard Metaphysical Necessity: when ¬P is incompatible with the nature of things [Rosen]
10. Modality / A. Necessity / 6. Logical Necessity
Something may be necessary because of logic, but is that therefore a special sort of necessity? [Rosen]
10. Modality / B. Possibility / 3. Combinatorial possibility
Combinatorial theories of possibility assume the principles of combination don't change across worlds [Rosen]
10. Modality / C. Sources of Modality / 4. Necessity from Concepts
Necessary truths derive from basic assertion and negation [Fichte, by Pinkard]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / a. Conceivable as possible
A proposition is 'correctly' conceivable if an ominiscient being could conceive it [Rosen]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
Fichte's logic is much too narrow, and doesn't deduce ethics, art, society or life [Schlegel,F on Fichte]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
Fichte's key claim was that the subjective-objective distinction must itself be subjective [Fichte, by Pinkard]
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / a. Other minds
We only see ourselves as self-conscious and rational in relation to other rationalities [Fichte]
16. Persons / B. Nature of the Self / 4. Presupposition of Self
The Self is the spontaneity, self-relatedness and unity needed for knowledge [Fichte, by Siep]
Novalis sought a much wider concept of the ego than Fichte's proposal [Novalis on Fichte]
The self is not a 'thing', but what emerges from an assertion of normativity [Fichte, by Pinkard]
16. Persons / B. Nature of the Self / 6. Self as Higher Awareness
Consciousness of an object always entails awareness of the self [Fichte]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
18. Thought / A. Modes of Thought / 6. Judgement / a. Nature of Judgement
Judgement is distinguishing concepts, and seeing their relations [Fichte, by Siep]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Fichte's idea of spontaneity implied that nothing counts unless we give it status [Fichte, by Pinkard]
26. Natural Theory / A. Speculations on Nature / 1. Nature
Fichte reduces nature to a lifeless immobility [Schlegel,F on Fichte]
26. Natural Theory / D. Laws of Nature / 4. Regularities / b. Best system theory
The MRL view says laws are the theorems of the simplest and strongest account of the world [Rosen]