Combining Texts

All the ideas for 'works', 'Consciousness: matter becomes imagination' and 'Art'

expand these ideas     |    start again     |     specify just one area for these texts


40 ideas

8. Modes of Existence / D. Universals / 5. Universals as Concepts
Prior to language, concepts are universals created by self-mapping of brain activity [Edelman/Tononi]
13. Knowledge Criteria / E. Relativism / 4. Cultural relativism
Cultures have a common core of colour naming, based on three axes of colour pairs [Edelman/Tononi]
15. Nature of Minds / A. Nature of Mind / 5. Unity of Mind
A conscious human being rapidly reunifies its mind after any damage to the brain [Edelman/Tononi]
15. Nature of Minds / A. Nature of Mind / 8. Brain
A conscious state endures for about 100 milliseconds, known as the 'specious present' [Edelman/Tononi]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / b. Essence of consciousness
Consciousness is a process (of neural interactions), not a location, thing, property, connectivity, or activity [Edelman/Tononi]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / c. Parts of consciousness
The three essentials of conscious experience are privateness, unity and informativeness [Edelman/Tononi]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / d. Purpose of consciousness
Consciousness can create new axioms, but computers can't do that [Edelman/Tononi]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / e. Cause of consciousness
Consciousness arises from high speed interactions between clusters of neurons [Edelman/Tononi]
15. Nature of Minds / B. Features of Minds / 4. Intentionality / a. Nature of intentionality
Dreams and imagery show the brain can generate awareness and meaning without input [Edelman/Tononi]
15. Nature of Minds / B. Features of Minds / 4. Intentionality / b. Intentionality theories
Physicists see information as a measure of order, but for biologists it is symbolic exchange between animals [Edelman/Tononi]
15. Nature of Minds / B. Features of Minds / 5. Qualia / c. Explaining qualia
The sensation of red is a point in neural space created by dimensions of neuronal activity [Edelman/Tononi]
16. Persons / B. Nature of the Self / 7. Self and Body / a. Self needs body
The self is founded on bodily awareness centred in the brain stem [Edelman/Tononi]
16. Persons / E. Rejecting the Self / 2. Self as Social Construct
A sense of self begins either internally, or externally through language and society [Edelman/Tononi]
16. Persons / F. Free Will / 5. Against Free Will
Brains can initiate free actions before the person is aware of their own decision [Edelman/Tononi]
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / b. Multiple realisability
Consciousness is a process, not a thing, as it maintains unity as its composition changes [Edelman/Tononi]
18. Thought / B. Mechanics of Thought / 3. Modularity of Mind
Brain complexity balances segregation and integration, like a good team of specialists [Edelman/Tononi]
18. Thought / B. Mechanics of Thought / 4. Language of Thought
Information-processing views of the brain assume the existence of 'information', and dubious brain codes [Edelman/Tononi]
18. Thought / C. Content / 6. Broad Content
Consciousness involves interaction with persons and the world, as well as brain functions [Edelman/Tononi]
18. Thought / D. Concepts / 2. Origin of Concepts / a. Origin of concepts
Concepts and generalisations result from brain 'global mapping' by 'reentry' [Edelman/Tononi, by Searle]
Concepts arise when the brain maps its own activities [Edelman/Tononi]
19. Language / F. Communication / 4. Private Language
Dewey argued long before Wittgenstein that there could not seriously be a private language [Dewey, by Orenstein]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
22. Metaethics / B. Value / 1. Nature of Value / b. Fact and value
Systems that generate a sense of value are basic to the primitive brain [Edelman/Tononi]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]