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All the ideas for 'Ordinatio', 'Logic in Mathematics' and 'Artistic Value and Opportunistic Moralism'

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32 ideas

2. Reason / D. Definition / 3. Types of Definition
A 'constructive' (as opposed to 'analytic') definition creates a new sign [Frege]
2. Reason / D. Definition / 10. Stipulative Definition
Frege suggested that mathematics should only accept stipulative definitions [Frege, by Gupta]
2. Reason / E. Argument / 6. Conclusive Proof
We must be clear about every premise and every law used in a proof [Frege]
5. Theory of Logic / A. Overview of Logic / 3. Value of Logic
Logic not only proves things, but also reveals logical relations between them [Frege]
5. Theory of Logic / A. Overview of Logic / 8. Logic of Mathematics
Does some mathematical reasoning (such as mathematical induction) not belong to logic? [Frege]
The closest subject to logic is mathematics, which does little apart from drawing inferences [Frege]
5. Theory of Logic / E. Structures of Logic / 8. Theories in Logic
'Theorems' are both proved, and used in proofs [Frege]
5. Theory of Logic / K. Features of Logics / 1. Axiomatisation
Tracing inference backwards closes in on a small set of axioms and postulates [Frege]
The essence of mathematics is the kernel of primitive truths on which it rests [Frege]
A truth can be an axiom in one system and not in another [Frege]
Axioms are truths which cannot be doubted, and for which no proof is needed [Frege]
6. Mathematics / A. Nature of Mathematics / 1. Mathematics
To create order in mathematics we need a full system, guided by patterns of inference [Frege]
6. Mathematics / B. Foundations for Mathematics / 4. Axioms for Number / a. Axioms for numbers
If principles are provable, they are theorems; if not, they are axioms [Frege]
8. Modes of Existence / B. Properties / 1. Nature of Properties
Accidents must have formal being, if they are principles of real action, and of mental action and thought [Duns Scotus]
8. Modes of Existence / E. Nominalism / 1. Nominalism / a. Nominalism
If only the singular exists, science is impossible, as that relies on true generalities [Duns Scotus, by Panaccio]
If things were singular they would only differ numerically, but horse and tulip differ more than that [Duns Scotus, by Panaccio]
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
We distinguish one thing from another by contradiction, because this is, and that is not [Duns Scotus]
9. Objects / A. Existence of Objects / 5. Individuation / d. Individuation by haecceity
The haecceity is the featureless thing which gives ultimate individuality to a substance [Duns Scotus, by Cover/O'Leary-Hawthorne]
9. Objects / B. Unity of Objects / 1. Unifying an Object / b. Unifying aggregates
It is absurd that there is no difference between a genuinely unified thing, and a mere aggregate [Duns Scotus]
9. Objects / B. Unity of Objects / 3. Unity Problems / e. Vague objects
Every concept must have a sharp boundary; we cannot allow an indeterminate third case [Frege]
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
What prevents a stone from being divided into parts which are still the stone? [Duns Scotus]
9. Objects / F. Identity among Objects / 8. Leibniz's Law
Two things are different if something is true of one and not of the other [Duns Scotus]
18. Thought / B. Mechanics of Thought / 5. Mental Files
We need definitions to cram retrievable sense into a signed receptacle [Frege]
We use signs to mark receptacles for complex senses [Frege]
19. Language / A. Nature of Meaning / 6. Meaning as Use
A sign won't gain sense just from being used in sentences with familiar components [Frege]
19. Language / D. Propositions / 2. Abstract Propositions / a. Propositions as sense
Thoughts are not subjective or psychological, because some thoughts are the same for us all [Frege]
A thought is the sense expressed by a sentence, and is what we prove [Frege]
19. Language / D. Propositions / 5. Unity of Propositions
The parts of a thought map onto the parts of a sentence [Frege]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
The works we value most are in sympathy with our own moral views [John,E]
We should understand what is morally important in a story, without having to endorse it [John,E]
We value morality in art because that is what we care about - but it is a contingent fact [John,E]
A work can be morally and artistically excellent, despite rejecting moral truth [John,E]