39 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
17486 | Supervenience is simply modally robust property co-variance [Hendry] |
19553 | Commitment to 'I have a hand' only makes sense in a context where it has been doubted [Hawthorne] |
19551 | How can we know the heavyweight implications of normal knowledge? Must we distort 'knowledge'? [Hawthorne] |
19552 | We wouldn't know the logical implications of our knowledge if small risks added up to big risks [Hawthorne] |
19554 | Denying closure is denying we know P when we know P and Q, which is absurd in simple cases [Hawthorne] |
17481 | Nuclear charge (plus laws) explains electron structure and spectrum, but not vice versa [Hendry] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
17478 | Maybe two kinds are the same if there is no change of entropy on isothermal mixing [Hendry] |
17484 | Maybe the nature of water is macroscopic, and not in the microstructure [Hendry] |
17479 | The nature of an element must survive chemical change, so it is the nucleus, not the electrons [Hendry] |
17485 | Maybe water is the smallest part of it that still counts as water (which is H2O molecules) [Hendry] |
17482 | Compounds can differ with the same collection of atoms, so structure matters too [Hendry] |
17483 | Water continuously changes, with new groupings of molecules [Hendry] |
17476 | Elements survive chemical change, and are tracked to explain direction and properties [Hendry] |
17477 | Defining elements by atomic number allowed atoms of an element to have different masses [Hendry] |
17480 | Generally it is nuclear charge (not nuclear mass) which determines behaviour [Hendry] |