38 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
19553 | Commitment to 'I have a hand' only makes sense in a context where it has been doubted [Hawthorne] |
19551 | How can we know the heavyweight implications of normal knowledge? Must we distort 'knowledge'? [Hawthorne] |
19552 | We wouldn't know the logical implications of our knowledge if small risks added up to big risks [Hawthorne] |
19554 | Denying closure is denying we know P when we know P and Q, which is absurd in simple cases [Hawthorne] |
19682 | Internalists are much more interested in evidence than externalists are [McGrew] |
19684 | Does spotting a new possibility count as evidence? [McGrew] |
19687 | Absence of evidence proves nothing, and weird claims need special evidence [McGrew] |
19688 | Every event is highly unlikely (in detail), but may be perfectly plausible [McGrew] |
19686 | Criminal law needs two separate witnesses, but historians will accept one witness [McGrew] |
19680 | Maybe all evidence consists of beliefs, rather than of facts [McGrew] |
19681 | If all evidence is propositional, what is the evidence for the proposition? Do we face a regress? [McGrew] |
19689 | Several unreliable witnesses can give good support, if they all say the same thing [McGrew] |
19683 | Narrow evidentialism relies wholly on propositions; the wider form includes other items [McGrew] |
19685 | Falsificationism would be naive if even a slight discrepancy in evidence killed a theory [McGrew] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |