24 ideas
5791 | Reduction is either by elimination, or by explanation [Searle] |
5799 | Eliminative reduction needs a gap between appearance and reality, as in sunsets [Searle] |
5790 | A property is 'emergent' if it is caused by elements of a system, when the elements lack the property [Searle] |
17499 | Theoretical models can represent, by mapping onto the data-models [Portides] |
17498 | In the 'received view' models are formal; the 'semantic view' emphasises representation [Portides, by PG] |
17501 | Representational success in models depends on success of their explanations [Portides] |
17502 | The best model of the atomic nucleus is the one which explains the most results [Portides] |
17496 | 'Model' belongs in a family of concepts, with representation, idealisation and abstraction [Portides] |
17497 | Models are theory-driven, or phenomenological (more empirical and specific) [Portides] |
17500 | General theories may be too abstract to actually explain the mechanisms [Portides] |
5792 | Explanation of how we unify our mental stimuli into a single experience is the 'binding problem' [Searle] |
5786 | A system is either conscious or it isn't, though the intensity varies a lot [Searle] |
5794 | Consciousness has a first-person ontology, which only exists from a subjective viewpoint [Searle] |
5795 | There isn't one consciousness (information-processing) which can be investigated, and another (phenomenal) which can't [Searle] |
5788 | The use of 'qualia' seems to imply that consciousness and qualia are separate [Searle] |
5789 | I now think syntax is not in the physics, but in the eye of the beholder [Searle] |
5798 | Consciousness has a first-person ontology, so it cannot be reduced without omitting something [Searle] |
5787 | There is non-event causation between mind and brain, as between a table and its solidity [Searle] |
5797 | The pattern of molecules in the sea is much more complex than the complexity of brain neurons [Searle] |
5796 | If tree rings contain information about age, then age contains information about rings [Searle] |
22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
22693 | The works we value most are in sympathy with our own moral views [John,E] |
22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |