Combining Texts

All the ideas for 'The Mystery of Consciousness', 'The Metaphysics of Modality' and 'The Principles of Art'

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41 ideas

1. Philosophy / E. Nature of Metaphysics / 2. Possibility of Metaphysics
There must be a plausible epistemological theory alongside any metaphysical theory [Forbes,G]
4. Formal Logic / B. Propositional Logic PL / 2. Tools of Propositional Logic / a. Symbols of PL
The symbol 'ι' forms definite descriptions; (ιx)F(x) says 'the x which is such that F(x)' [Forbes,G]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / d. and
Is the meaning of 'and' given by its truth table, or by its introduction and elimination rules? [Forbes,G]
7. Existence / C. Structure of Existence / 2. Reduction
Reduction is either by elimination, or by explanation [Searle]
Eliminative reduction needs a gap between appearance and reality, as in sunsets [Searle]
7. Existence / D. Theories of Reality / 10. Vagueness / d. Vagueness as linguistic
Vagueness problems arise from applying sharp semantics to vague languages [Forbes,G]
8. Modes of Existence / B. Properties / 3. Types of Properties
A property is 'emergent' if it is caused by elements of a system, when the elements lack the property [Searle]
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
In all instances of identity, there must be some facts to ensure the identity [Forbes,G]
9. Objects / B. Unity of Objects / 3. Unity Problems / d. Coincident objects
If we combined two clocks, it seems that two clocks may have become one clock. [Forbes,G]
9. Objects / D. Essence of Objects / 3. Individual Essences
Only individual essences will ground identities across worlds in other properties [Forbes,G, by Mackie,P]
An individual essence is a set of essential properties which only that object can have [Forbes,G]
Non-trivial individual essence is properties other than de dicto, or universal, or relational [Forbes,G]
9. Objects / D. Essence of Objects / 5. Essence as Kind
Essential properties depend on a category, and perhaps also on particular facts [Forbes,G]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / a. Essence as necessary properties
Essential properties are those without which an object could not exist [Forbes,G]
9. Objects / D. Essence of Objects / 11. Essence of Artefacts
Same parts does not ensure same artefact, if those parts could constitute a different artefact [Forbes,G]
Artefacts have fuzzy essences [Forbes,G]
9. Objects / E. Objects over Time / 12. Origin as Essential
An individual might change their sex in a world, but couldn't have differed in sex at origin [Forbes,G]
9. Objects / F. Identity among Objects / 1. Concept of Identity
Identities must hold because of other facts, which must be instrinsic [Forbes,G, by Mackie,P]
10. Modality / A. Necessity / 4. De re / De dicto modality
De re modal formulae, unlike de dicto, are sensitive to transworld identities [Forbes,G]
10. Modality / C. Sources of Modality / 4. Necessity from Concepts
De re necessity is a form of conceptual necessity, just as de dicto necessity is [Forbes,G]
10. Modality / E. Possible worlds / 1. Possible Worlds / c. Possible worlds realism
Unlike places and times, we cannot separate possible worlds from what is true at them [Forbes,G]
The problem with possible worlds realism is epistemological; we can't know properties of possible objects [Forbes,G]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
Possible worlds are points of logical space, rather like other times than our own [Forbes,G]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
Transworld identity concerns the limits of possibility for ordinary things [Forbes,G]
The problem of transworld identity can be solved by individual essences [Forbes,G]
10. Modality / E. Possible worlds / 3. Transworld Objects / c. Counterparts
Counterpart theory is not good at handling the logic of identity [Forbes,G]
10. Modality / E. Possible worlds / 3. Transworld Objects / d. Haecceitism
Haecceitism attributes to each individual a primitive identity or thisness [Forbes,G]
We believe in thisnesses, because we reject bizarre possibilities as not being about that individual [Forbes,G]
15. Nature of Minds / A. Nature of Mind / 5. Unity of Mind
Explanation of how we unify our mental stimuli into a single experience is the 'binding problem' [Searle]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / a. Consciousness
A system is either conscious or it isn't, though the intensity varies a lot [Searle]
Consciousness has a first-person ontology, which only exists from a subjective viewpoint [Searle]
There isn't one consciousness (information-processing) which can be investigated, and another (phenomenal) which can't [Searle]
15. Nature of Minds / B. Features of Minds / 5. Qualia / a. Nature of qualia
The use of 'qualia' seems to imply that consciousness and qualia are separate [Searle]
17. Mind and Body / C. Functionalism / 7. Chinese Room
I now think syntax is not in the physics, but in the eye of the beholder [Searle]
17. Mind and Body / D. Property Dualism / 1. Reductionism critique
Consciousness has a first-person ontology, so it cannot be reduced without omitting something [Searle]
17. Mind and Body / D. Property Dualism / 4. Emergentism
There is non-event causation between mind and brain, as between a table and its solidity [Searle]
17. Mind and Body / E. Mind as Physical / 1. Physical Mind
The pattern of molecules in the sea is much more complex than the complexity of brain neurons [Searle]
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / a. Physicalism critique
If tree rings contain information about age, then age contains information about rings [Searle]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S]