Combining Texts

All the ideas for 'Events and Their Names', 'Abstract of 'The Fourfold Root'' and 'Art and Its Objects'

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24 ideas

2. Reason / B. Laws of Thought / 2. Sufficient Reason
4187 'There is nothing without a reason why it should be rather than not be' (a generalisation of 'Why?') [Schopenhauer]
7. Existence / B. Change in Existence / 4. Events / c. Reduction of events
8978 Events are made of other things, and are not fundamental to ontology [Bennett]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
20339 Classes rarely share properties with their members - unlike universals and types [Wollheim]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
4192 All necessity arises from causation, which is conditioned; there is no absolute or unconditioned necessity [Schopenhauer]
11. Knowledge Aims / A. Knowledge / 2. Understanding
4190 All understanding is an immediate apprehension of the causal relation [Schopenhauer]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
20338 We often treat a type as if it were a sort of token [Wollheim]
16. Persons / C. Self-Awareness / 2. Knowing the Self
4191 What we know in ourselves is not a knower but a will [Schopenhauer]
16. Persons / D. Continuity of the Self / 3. Reference of 'I'
21368 The knot of the world is the use of 'I' to refer to both willing and knowing [Schopenhauer]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20342 Interpretation is performance for some arts, and critical for all arts [Wollheim]
20343 A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20348 A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20347 If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20345 Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
20331 It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
20336 Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
20337 The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20333 If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
20334 The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
20335 The ideal theory of art neglects both the audience and the medium employed [Wollheim]
20340 A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
20341 An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
20332 A drawing only represents Napoleon if the artist intended it to [Wollheim]
26. Natural Theory / C. Causation / 8. Particular Causation / b. Causal relata
10364 Facts are about the world, not in it, so they can't cause anything [Bennett]
27. Natural Reality / D. Time / 1. Nature of Time / b. Relative time
4189 Time may be defined as the possibility of mutually exclusive conditions of the same thing [Schopenhauer]