38 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
19100 | Truth makes disagreements matter, or worth settling [Misak] |
19094 | For pragmatists the loftiest idea of truth is just a feature of what remains forever assertible [Misak] |
19099 | 'True' is used for emphasis, clarity, assertion, comparison, objectivity, meaning, negation, consequence... [Misak] |
19103 | 'That's true' doesn't just refer back to a sentence, but implies sustained evidence for it [Misak] |
19105 | Truth isn't a grand elusive property, if it is just the aim of our assertions and inquiries [Misak] |
19108 | Truth is proper assertion, but that has varying standards [Misak] |
19101 | Disquotation is bivalent [Misak] |
19106 | Disquotations says truth is assertion, and assertion proclaims truth - but what is 'assertion'? [Misak] |
19096 | Disquotationalism resembles a telephone directory [Misak] |
19098 | Deflating the correspondence theory doesn't entail deflating all the other theories [Misak] |
19104 | Deflationism isn't a theory of truth, but an account of its role in natural language [Misak] |
19109 | The anti-realism debate concerns whether indefeasibility is a plausible aim of inquiry [Misak] |
14082 | No sortal could ever exactly pin down which set of particles count as this 'cup' [Schaffer,J] |
14081 | Identities can be true despite indeterminate reference, if true under all interpretations [Schaffer,J] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |